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Showing posts with label ICP. Show all posts
Showing posts with label ICP. Show all posts

Tuesday, October 1, 2013

Trullo

Trullo in about 1940.  It was then called Villaggio Costanzo Ciano, after a notable Fascist.

'We live in Trullo, unfortunately.'
'Why unfortunately?' asked Blume.
'Well, Commissioner, it's not exactly the nicest part of the city, is it?'

That exchange is from Conor Fitzgerald's new detective novel, The Memory Key (2013).  Our Roman friend Massimo, who grew up off via Portuense about two miles from Trullo, confirms the impression, noting that in the 1960s and 1970s Trullo "was still considered a sort of Bronx," along withTor Marancia and the Donna Olimpia housing projects in Monteverde Nuovo.

Located a few miles to the south of Rome's center, between Magliana and Corviale--two other communities that are not "the nicest part of the city" either, Trullo retains more than a little of that "Bronx" feeling.  On the day we visited, we saw not one but two fires burning in the large public garbage cans that sit on the streets, probably set by the roaming groups of teenage boys with not much to do on a Sunday.  Massive towers carrying high-tension wires dominate what years ago was probably a nice park. But as we'll see, there's another side to Trullo.

There wasn't much of anything in the area until 1917, when an industrialist, Maccaferri Gaetano, acquired the land and opened a wire factory serving the war effort.  But the character of the place was not established until 1939, when the ICP (Istituto per le Case Popolari, or the Public Housing Association), an arm of the Fascist regime, acquired enough land to build 336 housing units, intended
for Italian colonists returning from Algeria, Morocco, Tunisia, and other places in North Africa.  When Mussolini visited the following year, on the occasion of the 18th anniversary of the March on Rome, he was not impressed.  "These houses," he said, "resemble military barracks more than living quarters."  Or maybe that was high praise.  Appropriately, the village was then called Costanzo Ciano, after a former naval officer who had participated in the March on Rome and become the President of the Italian Chamber of Deputies (1934-1939).


The Duce's judgment was not without reason, especially, perhaps, in those early days, before bushes and flowers emerged to temper the stucco buildings, row upon row of them, all the same or nearly so.  On the other hand, the treatments of the exterior spaces between the buildings differed,
One of the better kept outdoor spaces.
and most units had shared, and shaded, balcony/walkways, visible in the photos above and below.  

With the fall of Fascism the village of Costanzo Ciano became Duca d'Aosta (also of Great War fame) and then Trullo, a name derived from an ancient Roman tomb located on the right bank of the Tevere, along the old via Campana. 


Move back a few paces and you can't see the church. 




Despite the garbage fires, the electrical towers, and a general lack of maintenance that lend the place a gritty feel, Trullo is not without amenities and pleasures.  The Fascist-era church remains, a modernist evocation of the countryside--even if its sight lines have been intercepted by overgrown trees.








Bocce Circolo, for the village's older men

There's a newer market and, near it, several stores on the main street.  A small park, also quite new, centers the town and is well used by young and old.  A few blocks away, there's a bocce club (above).
 

What was long ago the town's hotel is now a graffiti-covered leftist circolo, but it seems clear that this colorful building is well and frequently used.  Next door a bar/restaurant, probably at one time part of the hotel, offers a covered patio, table service, and a great vantage point to survey the scene. According to the website Roma a piedi (Rome on foot)--the source for some of the information in this post--Trullo is a multi-ethnic community, though to our eyes it looked mostly Italian.





On a hill a few hundred feet south of the bar, newer apartment buildings suggest the arrival in recent decades of a small middle class, and we found posted notice (right) of a gathering to announce a new book on the village's history, a sign of Trullo's pride in its past.   

Bill 

Trullo's Main Street.  At right, just out of view, the park.  The church bell tower is visible.
 Straight ahead and a bit to the right, the market.  At left, stores.  Not much action on a Sunday. 

Saturday, April 23, 2011

Trionfale: A Rome "Suburb"

A Courtyard in one of Trionfale's Fascist-Era Public Housing Projects

Rome the Second Time is partly a book about Rome's suburbs.  But that doesn't mean we're sending you to Rome's equivalent of Westchester.  Our Rome suburbs are outside the Center, to be sure, so they weren't built in the Renaissance.  But they are close to the Center, and they feel like Rome: today's Rome, and the Rome of the 20th century.

Some time ago we spent the afternoon in the Rome suburb of Trionfale (Triumphant/Triumphal, the name apparently derived from the city's historic attraction to triumphal arches).  Romans would refer to the area as Trionfale or Quartiere Trionfale. It's in Prati. 

We can't give you a precise geographical definition for Trionfale.  But the center of the quartiere is just to the east of Piazzale degli Eroi ("Large Piazza of the Heroes" - a pretty awful traffic circle, says Dianne), along and a few blocks north and south of via Andrea Doria, which runs into the piazza.

If you're staying near the Vatican, you're in luck, because Trionfale begins just a few blocks north of the north wall of the Vatican.  If you're taking the subway, get off at Cipro Musei Vaticani and walk north to Piazza degli Eroi.

Cinema Doria
Standing in Piazza degli Eroi and looking toward the northeast, in front of you is one of the quartiere's finest pieces of architecture: a massive public housing project that spans the pre-Fascist and Fascist (1922- ) eras.  Constructed for the ICP (Istituto Case Popolari/Institute for Public Housing), it was designed by architects Innocenzo Costantini and Innocenzo Sabbatini and built between 1919 and 1926.  The building combines modern elements with medieval ornamentation; the gargoyles are impressive.  You'll have to take our word for all this because, remarkably, we don't have a photo to show you.  On the via Andrea Dorea side you'll find a movie theater, the Cinema Doria, richly decorated though now in a degraded state. 

Just to the east and north is a complex of public housing buildings with a variety of architectural features, including ornate iron work, glass-enclosed stairways, and--especially--public spaces designed to shelter the residents of the buildings from the chaos and dangers of the street and to provide a common exterior space where residents of the undoubtedly small (and balcony-less) apartments could sit in the open area and meet their neighbors.  We recommend a leisurely stroll through these areas.  See photo at top. 

Casa Impiegati del Governatorato
Across via A. Doria and about three blocks east at via A. Doria 1-27 is a thoughtfully designed, late-1920s building by one of Rome's best-known architects, Mario De Renzi.  Its formal name is the Casa Impiegati del Governatorato--literally House of Governership Employees.  It's three wings allow for lots of natural light.  Perhaps the most interesting feature are the rounded windows, especially on the side on the second floor but also running up the front, referencing similar forms that had recently (at the time) been excavated at ancient Roman port of Ostia Antica.  Nearby, on the same side of the street, is another building with medieval touches.

The new Trionfale Market--or the Hyatt?
Our last stop is the Trionfale Market, not far to the east on via A. Doria.  Rome planners have been busy in recent years replacing the city's older markets with new ones that are better lit, more sanitary, and perhaps better organized (see Bill's earlier post on this push by the city government).   But in this case we're not fans of progress.  The new market is too big and too impersonal and designed in a derivative, post-modern style that lacks character and fails to find peace with the surrounding community.  We don't know what the neighborhood's residents think, but only 91 people have signed up for the market's Facebook page. 

Bill