RST's 700th Post. Holy Cow!

We've been writing this blog for more than eight years, but it remains surprising--no, astonishing--that we have managed to produce 700 posts.  Yes, 700!  If you figure it takes about 8 hours of work to produce one post (some are less, some much more--like days), that amounts to 5600 total hours spent making content.  That's like having a 40-hour-a-week job for almost 3 years.  Yikes!

To celebrate our 700th, we're offering links to some of our most popular posts (those with the most page views, and some others with lots of traffic).  Click on the link to see the original post.

Richard Meier's Jubilee Church.  The all-time page-view champ at over 15,000.  A ways out of town, but worth the trip.  #17 on RST's Top 40.

Europe's Largest Mosque--in Rome.  We may have a lot of Muslim readers, but the building is quite something no matter what religion you are.  Also on RST's Top 40 - at #24. Interestingly, a post we did on Rome's Kebab was also widely seen.

The Assassination of Julius Caesar: A Moral Act or Not?  Philosophy professor Raymond Belliotti examines the ethics of the murder by evaluating it against 7 moral criteria.







Riding a Scooter in Rome.  Actually, RST's post on renting a scooter in Rome was somewhat more popular, but this one's more useful--lots of hard-earned tips about riding a scooter in Rome, should you decide to do it, which you shouldn't.

Italy's Liberation Day: Bella Ciao.  Guest blogger Frederika Randall pulls apart the legendary anthem and examines the history of "Bella Ciao."













 Tracking Elizabeth Taylor.  ET spent some time in Rome, some of it with Richard Burton, while she was making movies.  She's still iconic here, but perhaps less so than Audrey Hepburn, whose image is everywhere.













The 1960 Rome Olympics: An Itinerary.  There's lots to see in Rome related to the 1960 Olympics: the Olympic Village; the Palazzetto dello Sport, where Cassius Clay made his name and reputation; an amazing stadium built by Mussolini where the athletes warmed up.












Garibaldi in Rome.  The darling of Italian unification, Giuseppe Garibaldi fought the French on the Gianicolo and lived to tell about it.












Via Tasso.  To most Romans, via Tasso means "place where the Germans imprisoned and tortured their political enemies," or something like that.  It's not far from the Basilica of San Giovanni in Laterano, and you can visit, even walk into the cells and read the messages prisoners scrawled on the walls. RST Top 40, #3.

On St. Paul's Path.  Cities have their "named saints," saints special to the city.  Rome has two: Peter and Paul.  Paul brought Christianity to Rome, and was martyred just outside the city.  You can visit the sites and try to feel his presence.

Happy 4th Birthday RST - of Meier, Mosques and Kebabs

Richard Meier's suburban Tor Tre Teste church - Number 1 on the blog.  
That's Dianne at left. 

Having reached a couple milestones recently – 4 years of blogging as of today (Feb. 17) and more than 400 posts (the 400th went up November 20 – the rather esoteric Hamlet in the Weeds on sculptor Amleto Cataldi), it seems appropriate to look back and share some statistics with our loyal readers.

Amazingly enough (to us), several of the top 5 posts, and even the top 10, remain remarkably consistent from day to day, month to month, year to year.

And, you probably couldn’t guess the consistent posts in the top 5 – at least we couldn’t if Google Analytics didn’t tell us every day.

Coming in routinely in the top 5 are: Richard Meier’s Jubilee Church (Tor Tre Teste), the post on kebabs (Bill, you were right on that one),  Europe’s largest mosque.  Posts on Fascist architecture - which is the subject of dozens of posts - also regularly rank high  The post on Meier's church and the one on kebabs appeared 2-1/2 years ago, and the mosque 3-1/2.  But their popularity never seems to wane.  The church and the mosque are both on RST's Top 40 list, coming in at 17 and 24, respectively.

Inside Portoghesi's mosque

Architectural works by “starchitects” often appear in the top 10: E.g., besides Meier and Paolo Portoghesi (the mosque), Zaha Hadid and Massimiliano Fuksas.

The all-time top 10 includes three reasonably accessible tourist sites: Foro Mussolini/Foro Italico (#5 on the RST top 40), Piazza Augusto Imperatore (# 9), and Garbatella (#16).  And one suburb where tourists seldom venture: Centocelle. 

Readers have also been drawn to the rich and famous, like Elizabeth Taylor.

We learn from Google Analytics, not surprisingly, that the US is the top country, in terms of readers of the blog, with Italy second.  The third may be surprising, however, - it’s Russia (spammers, maybe?), followed by the English-speaking countries of the UK, Canada and Australia.  Of interest, perhaps only to computer wonks, our readers come in more through Safari than any other search engine, followed by Firefox, then Chrome, and only 4th, Explorer. But for operating systems, Windows is used twice as much as Mac.  Go figure.

Back to content: romethesecondtime is what is known as a “content blog” – we’d have to be that after 4 years of this!  We continue to be surprised at Meier’s staying power, along with the mosque and kebabs.

So next time you go to Rome, head for Portoghesi’s mosque, and be sure to pick up a kebab outside (if it’s market day).

Dianne

Italy, on the Surface

Ingrid Rowland's December 17 review of The Hand of Palladio in the New York Review of Books is as much about the book's author, architect Paolo Portoghesi, as it is about Palladio. We were intrigued by the focus, having written on this blogsite about Portoghesi's Roman mosque (designed 1975; see our June 17 post) and having admired his lobby for Rome's Hotel de la Minerve (above). Rowland labels these works "dream visions," then moves on to this remarkable paragraph:

"These works have a terrible poignancy now, reminders as they are of the optimistic Italy that pulled itself from postwar destitution by sheer force of imagination--Fellini was in many ways a maker of documentaries, not fantasies--and unrelenting work. The mosque of Rome, despite its modern materials, still revels in craftsmanship, as can be seen from the specially cast prefabricated columns, the intricate mosaics, the chandeliers and fountains. That same loving care of surface shines forth in every aspect of Italian life: in Fellini, Raphael, Titian, Vivaldi; in Marcello Mastroianni's swagger, Sophia Loren's vitality, La Dolce Vita--but then it was another Italian, the Roman sage Vitruvius, who declared that perfection can be achieved only by following through on every detail of ornament. Decoration in Italy is always more than superficial embellishment; it is the essence of true civility."

Reading this passage, we were reminded of the Italian insistence on la bella figura and, more concretely, of the pristine white tops favored by many Italian women, in seeming defiance of gurgling babies and life's inevitable spills; of the care with which Italians wrap anything and everything, from a piece of fish to a bottle of wine; of those lovely notebooks, with their silver corners and Florentine covers; of the glittering surfaces of any coffee bar, toweled clean and shined at the barrista's every opportunity; and even of Berlusconi, the politican as spectacle and surface, uninterested in the hard work and compromise that genuine political leadership requires.

We were reminded of Italian postwar leadership in fashion and modern design, fields that are all about wrapping people and things in cloth and plastic and metal, all about surface. The examples are many, but they surely include Marcello Nizzoli's 1950 Lettera 22 typewriter and Corradino D'Ascanio's 1955 Vespa. The Piergiorgio Branzi 1960 photo at left
is all about surface: not only the shell of the Vespa, but the self-consciously casual pose of the man in the foreground, observing even more surface: the filming of a story about ancient Rome, made on the steps of one of Rome's modern art museums.

Rowland made us think, too, of the playful creations of Ettore Sottsass, in whose hands household objects were transformed from useful things into games and sculptures. At right, Sottsass' Carlton Bookcase (1981). Consistent with Rowland's overview and chronology, the utopian Radical Design movement with which Sottsass was affiliated was launched in the 1960s and was in decline by 1980, as the ebulient optimism that sustained it was gradually undermined.

But we remain less than fully convinced of the truth of Rowland's compelling claim. To illustrate our lingering doubts, we offer these comments on La Dolce Vita, Fellini's 1960 masterpiece.
It is undeniably about the superficiality of postwar Italian bourgeoisie culture. But our observer of that culture, Mastroianni's Marcello, while attracted to the surfaces he finds, is also disturbed, alienated, and bored. Surfaces beguile, but they are not enough--and are hardly, in Vetruvius' words, "the essence of true civility."

Bill