Return to Villa Ada

 Above, runners around the artificial lake (host to summer outdoor concerts), and Dianne looking at signboards indicating the plethora of activities in the park.

Rome's second largest and historically unloved northern park, Villa Ada, was once the official residence of the royal Savoia family who left when the country voted out the monarchy in 1946. 

We've found it usually unkempt, with tall weeds where there should be playfields and picnic areas. Last year we were pleasantly surprised to see a fair amount of it had been mowed, that it was in use by many people--runners, children, and organizations, and that its signs had mostly been restored--a long way from what it was when we walked to it in 2018 (post here) and many times before and after.

Above, the artificial lake at the northern end of the park. The circuit around it is popular with runners, and it's a lovely setting for outdoor concerts. We've been to a few there, including a stunning Paola Turci concert in 2012.

Above, amazing!  mowed grass!

But not everything is pristine, witness the bench below

One of our Italian friends noted she liked to run in the "wild" part of the park, and wild much of the southern portion is--though you can also encounter horse facilities, and the stables we assume once belonged to the King. (Wild enough it has been home to wild boars; see Bill's 2022 post here.)

Egypt now owns what was once the King's residence--and you can't get near it. But you can frolic in the outbuildings, once gardens, now the denizen of graffiti artists.

At one time, you also could tour the bunker under the villa, where Mussolini and the King hid out until they could be spirited away from Rome after the fall of the Duce. We posted on our 2017 tour here. We've never been able to find the entrance on our own - it's deep in the vegetation -  and we now understand the tours are "suspended." 

If you are looking to get away from tourists, explore some history, exercise, or just enjoy a day in the park, Villa Ada is an excellent choice.

We once enjoyed coffees and lunch at the outdoor "park" cafe, Bar Panama (first photo below). When we went back last year, it was closed. Apparently it was abusivo--not operating legally on park land One of those abusivi we like!  We settled for the rather tony Parioli Bar Lima.

Dianne

Exploring the Valley of the Aniene, and Pietralata, on a Sunday afternoon

On a warm Sunday afternoon in late April, we took a walk through an area mostly new to us: the Riserva Naturale della Valle del Aniene (Nature Preserve of the Aniene Valley).  On most days the park would be empty, or virtually so, but on this sunny Sunday it was full of families and friends enjoying a variety of activities in the way Romans do.  We followed the path/park until we arrived at the rather forbidding Ponte Mammolo, where we crossed the Aniene before returning through Pietralata (eventually on busy, possibly dangerous via di Pietralata).  If I remember correctly, the walk took about 3 hours.  Below, some pics with brief commentary.

The walk begins at the very old Ponte Nomentana (parts of it dating possibly to the 8th century), which is reached on a brief spur that angles off the broad via Nomentana in the north of Rome. The bridge carried this consular road over the Aniene. The walk over the bridge begins Itinerary 10 in Rome the Second Time, but that itinerary heads left over the bridge.  On this day, we headed right. through this large gate, which  is just over the bridge.

We went through it and found ourselves on a broad path that more or less tracked the Aniene.

We found a large water channel, purpose and origin unknown.

In the distance on the left, a family had anchored their tent to a roll of hay that provided additional shade. 

Further on, playground equipment for the kids.

And a soccer game, for all ages, amid the weeds.

Bicycles--a good way to get into the park.

Picnicking.  The Italian word is "picnic," pronounced "peekneek"

Here, the door to a garden (no doubt "abusivo," illegal) is made from a mattress frame.

Walking on Ponte Mammolo, which crosses the Aniene.

Below, a large and elaborate garden--again, likely abusivo.

The Aniene below.  It's one of Rome's 2 rivers, even if unimpressive here.

Turning right and entering the neighborhoods (bring a map to make sure you don't lose your way at this point) on our return.  Note the striking stairway on this apartment building.

Below, a restaurant on via di Pietralata, closed between lunch and dinner. As we recall, this is the Pietralata "suburban" outpost of Betto e Mary, the original of which is in Torpignattara, near the Wunderkammern gallery.

Almost across the street from Betto e Mary is the arts center, l'ex Lanificio (the former wool factory), where in the past we saw exhibitions of art by Biodpi (Anna Magnani walking the she-wolf) and Alice (the painted trailer).  The center was quiet this day.

The Butcher Shop.  Meat cured or cooked.

Blue Chair. Poignant art photo.

Acqua Vergine (one of Rome's important aqueducts), water meter, 1868. Acqua Vergine's "show" fountain is the Trevi.  The aqueduct also runs under, and is accessible (with permission) via Villa Medici.

Almost back. Graffiti-covered courtyard of a business. 

All in all, not a thrill a minute, but a nice slice of Roman life. 
Bill

A Secret Street in Rome--bet you've never been there!

There aren't too many secret streets in Rome--those off-off-off-the beaten path streets that even the locals may not know.  We've found one, and none too soon, for it's about to disappear, or at the least take on a very different look.  As it turns out, some interesting folks--including a number of prominent artists--live on the street (more below).  But the reason we know about it is because some of the buildings are illegal. 

We're talking about via Paolo Caselli, some 200 yards of homes and businesses that could be said to connect the neighborhood of Ostiense with that of Testaccio.  One end of the street begins precisely across the street from the entrance to the non-Catholic cemetery, which backs up onto the Pyramid. One can drive in this way.  The other end, accessible on foot only, can be found at the end of a small parking lot, directly across the street from the 1930s-era post office on via Marmorata.

via Paolo Caselli, non-Catholic cemetery end

Around the bend

Although we had been to the non-Catholic cemetery many times, we had never "seen" this street--until, that is, it appeared in the newspapers--and not because it was a quaint, unrecognized tourist attraction, which it is not, except maybe for RST.  As reported in La Repubblica, via Paolo Caselli is a poster child for abusivismo--literally, abusiveness, but in this case illegally constructed buildings, those lacking proper construction permits and other authorizations--and probably not paying taxes.

Certainly has the look of a legit business

Indeed, the story as reported is more interesting than that.  At via Paolo Caselli #1 (the first building on the left as you enter from the cemetery side), not only has one of the units been illegally occupied for more than ten years, but the brother of the occupier heads the police unit charged with keeping

A series of buildings at #1

track of the ownership of Rome buildings.  Sounds  bad!  Moreover, it looks like the family has been profiting from illegal building for more than 50 years, dating back decades to when the father of the two brothers distributed mineral water from a warehouse on the street.

A business behind the gate--not sure what.

And there's another angle here that we found fascinating.  There are many other "abusivo" properties on the street, and most of them are occupied not by Mafia types or low-lifes or anything of the sort, but--guess what?--by artists!  Some or most or all of them will be "sgomberati" (evicted), and the buildings they occupy torn down, costs borne by the occupiers (we'll believe that when we see it). Several are sculptors, at least one a woman, an ancestor, so explains La Repubblica, of Naples gypsies. Another is Paolo Olmeda, owner of an historic foundry--apparently located on this street--in which Olmeda in 2006 made bronze reproductions of Amodeo Modigliani's 1910 Tête di Cartiatide. Then there's the German artist, Janine von Thungen, who made molds of the walls of the catacombs of San Callisto and created the work "Eternity," for a time in the Villa Foscari in Venice.

von Thungen's "Eternity"  

Besides these notable artists, it seems the local station of the fire department is also responsible for its own "abusivo" structure, an add-on building at the Marmorata end of the street.

Perhaps only the bocce ball facility is legal.  Who knows?

Bill