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Showing posts with label Casa dell'Architettura. Show all posts
Showing posts with label Casa dell'Architettura. Show all posts

Friday, November 15, 2013

Grass comes to Rome

Captive grass in Piazza Venezia

There is no grass in Rome.  Not until recently, anyway.  For years what passed for grass in Rome consisted mostly of weeds, trimmed now and then (mostly then).  The "grassy" spaces in public parks and piazzas consisted of dirt, stones--and trampled weeds.

Piazza Cavour
Things have changed.  Grass has arrived!  Here and there, the keen observer will see signs of the emergence of a new grass aesthetic.  Piazza Venezia now has two grass-as-spectacle areas, both featuring grass so perfect, and so perfectly maintained, as to provoke envy in any American suburban homeowner.  The Scotts Turf Builder look, the grass protected from the public by short, decorative fences.  Casa del Jazz offers a grass lawn, populated by signs telling you not to walk on it.  There's plenty of grass in EUR (after all, it was built as a suburb), but also plenty of weeds.  And elegant Piazza Cavour, behind the grandiose Palace of Justice, has some very nice grass. 

Real grass in Piazza dei Rei di Roma.  Not for dogs or humans,
according to the sign.





Piazza dei Re di Roma has some natural grass that actually looks like grass, though there, and elsewhere, the "grass aesthetic" also includes artificial grass--some sort of astroturf (love that spaceage term), immune to dogs. 






Rotary project, Trieste






In upscale Trieste, the Rotary Club maintains a small plot of genuine grass, perhaps so that children can grow up knowing what it is. 







  
They painted the grass green




In Piazza Sant' Emerenziana, in the neighborhood  known familiarly as the "Quartiere Africano," city authorities spruced up a huge subway ventilation unit by covering it with grass and then, as the grass lost its color in the heat, spray-painting it green.   




Keep off the grass couch!



Even the Rome art world has come to appreciate grass.  A fellow of the American Academy showed the way several years ago with a work of grass so tempting that Dianne assumed, incorrectly, that it was designed to be walked on.  More recently, the Casa dell'Architettura (also known as the Aquario,
because it's a former aquarium), showed off a grass-covered sofa, chair, end table, and lamp.  For those who have everything!

Bill




Artificial turf in Piazza dei Re di Roma.  Twenty years ago, the piazza was a dump.

Sunday, May 5, 2013

Jessica Stewart: Street Art Stories ROMA

Jessica Stewart, the talented photographer behind www.romephotoblog.com, has just published a remarkable small book, Street Art Stories ROMA,  that she describes as "The first book about the Rome street art scene!"

The "street art scene" is, in essence, graffiti.  RST is a great fan of Rome's graffiti, with more than 30 posts that mention it, and many that feature it (see some links below).  It's difficult in Rome to appreciate the "good" graffiti - that approaching art - given the ubiquitous "tags" that, frankly, dirty up the city.


Sten and Lex, working in Garbatella in 2010
By focusing on 30 street artists, Stewart draws our attention to the artistry of the form, distinguishing the work of the artists, and describing some of the artists' changes over time.
She acknowledges Rome stalwarts, like Sten and Lex, who do commissioned pieces (even at MACRO) and whom we have lauded in our posts, and she introduces us to a few of the artists who are active currently in the Centro, like Hogre (below, left), works of whom we found this week in Monti.

Tags.  Not fine art. 











By allowing us to distinguish and appreciate these artists, Stewart brings shape and a sense of wonder to Rome's street art scene, making it possible to separate the genuinely artistic from the wall "tags" that do little more than mark up the city's buildings.  We should point out that Stewart's book targets stencil and paste-up art almost to the exclusion of spray painting and use of painted letters and text that we consider the more basic graffiti.

The text runs along breathlessly, as Stewart provides the chronology of her involvement in the street art scene. She's more of a chronicler than an analyzer of street art.  But some analysis there is, and she's attentive to the making of the street art and the reactions of some neighbors.

And, Stewart's may be the first book, but Maria Theresa Natale has a long-standing Web site (in Italian - www.lasciailsegno.it) on graffiti internationally.  Natale focuses more on the painted scripts, as one can see from her Rome photos:  http://www.lasciailsegno.it/index.php?it/164/roma.

There are several current exhibitions of street art in and near Rome, obviously acknowledging it has entered the legitimate artworld - perhaps to its detriment.

A portion of Alice Pasquini's "Cave of Tales" at the Casa
dell'Architettura
"Cave of Tales" is a powerful meditation on urban life from one of Stewart's more painterly artists, Alice Pasquini.  The show, through 30 August, is at Casa dell'Architettura in piazza M. Fanti (the ex-aquarium - a great building, btw).  See the bottom of the site's Home page for hours.  The exhibit is in the basement (floor -1) and one accesses it from the elevator inside the portiere's office just on the left as you enter the building.

The town of Gaeta, south of Rome, has its own street art festival:  http://www.memorieurbane.it/. This year's version included a week of just women street artists, among them Pasquini.

"Urban Contest Gallery 2012" has an exhibition open every day (noon - 7 p.m.) at via di Pietralata 159, at the ex-Lanificio complex.  The current exhibit by Biodpi is titled "I am Anna Magnani." It merits a visit if you can get yourself out there. Don't miss Pasquini's artful trailer in the courtyard of this ex-wool manufacturing facility.

ADDED (10 May) - C215 (Christian Guemy) at Wunderkammern Gallery in Portonaccio through 24 May.  Sabina de Gregori’s new book “C215” (Castelvecchi), with the participation of Jef Aerosol, Obey, Logan Hicks, Martha Cooper, Sten & Lex, and Wooster Collective, will be presented for the occasion.
For the opening Guémy painted walls around Rome, some in collaboration with NUfactory.

Address: via Gabrio Serbelloni 124, Roma.
Opening hours: wednesdays to saturdays from 5pm to 8pm.
Or by appointment at +39-3498112973

And then there's Greco's angry nurse (there are two, actually), on the wall of the Fascist-era post office on via Taranto. 



Stewart's 100+ page book has text in both Italian and English and over 100 photos, each identifying the artist (no mean feat itself).  Street Art Stories ROMA is available at the Feltrinelli bookstores (look for a special display), as well as amazon.it.  List price: Euro 14, Mondo Bizzarro Press.

Some prior RST  posts on Rome graffiti:

A primer on Rome graffiti (from 2009): http://romethesecondtime.blogspot.it/2009/10/graffiti-rome-primer.htmlhttp://romethesecondtime.blogspot.it/2009/10/graffiti-rome-primer.html

A post on the 2010 Garbatella street art exhibition, including outdoor installations:

Graffiti at the Museum of Contemporary Art (MOCA) in Los Angeles, and in Rome:  http://romethesecondtime.blogspot.it/2011/06/graffiti-good-bad-and-ugly-moca-and.html



Deciphering neo-fascist graffiti on Rome's walls:  http://romethesecondtime.blogspot.it/2011/12/deciphering-romes-walls-neo-fascist.html

And a few specific artists, locations, and types:
Howen:  http://romethesecondtime.blogspot.it/2011/08/graffiti-report-howen.html

Refuse trucks:  http://romethesecondtime.blogspot.it/2011/11/refuse-truck-as-art.html

Via Appia Antica:  http://romethesecondtime.blogspot.it/2009/11/rst-top-40-39-graffiti-via-appia-antica.html

For more, search "graffiti" on the blog.

Dianne

Thursday, August 5, 2010

5 More things to do within 200 meters of Stazione Termini

6. Albergo Mediterraneo. Exiting the train station, bear left and enter via Cavour, at a right angle to the station. One block down, on the right at via G. Amendola is the hotel, Albergo Mediterraneo, built in the 1930s. Stolid on the outside (though not without interest; the travertine marble is standard-issue for many buildings of the period, and even the revolving door, with its worn brass fittings, is suggestive), exquisite on the inside. Your goal here is to nose around the lobby and adjoining rooms while looking more or less as if you belong. On our visit, the desk clerks seemed not to care about our presence, but we would recommend some attire besides shorts and tennis shoes. Among the items of interest: several ornate, inlaid wood wall sculptures and, in the sitting room to the left, a wall-size map of—you guessed it—the Mediterranean. All vintage. The roof boasts a modest but pleasant bar/restaurant, open to the public (take the elevator opposite the main desk).

7. Rambo World. From the hotel entrance, cross via Cavour and continue ahead on via G. Amendola. A couple blocks on the right, at #91/93, is Paolo Belletatti: Articoli Civili e Militari (civilian and military items), which at first struck us as the kind of right-wing place that Bruce Willis fell into in Quentin Tarantino’s 1994 classic, Pulp Fiction, with a torture chamber in the basement for anyone who doesn’t want to return to Vietnam with a bowie knife between his teeth.
To be sure, there are plenty of T-shirts with distasteful slogans (most in Italian) and metal castings of the Fascist fasci for the desktop of your favorite corporate bully. But the atmosphere is low key, there are lots of “civilian” items that would make funky gifts for that special someone (including teddy bears in military dress), and the owner—Paolo, we presume—is a peach, to the point of running a block to return our glasses case, which we (Bill) had left on the counter. Not open about 1-4, Saturday afternoons nor all day Sunday.

8. Casa dell’Architettura. Continuing down via G. Amendola, 3 blocks from via Cavour (and between via C. Cattaneo and via Ratazzi), is a lovely space of urban respite—a small park, lodged in Piazza Manfredo Fanti, with benches, the ruins of a Roman house, works of art and, incredibly, grass that gets watered and cut—and within the grounds, the 19th-century gem that houses the Casa dell’Architettura (House of Architecture), a bookstore that specializes in architecture, and a café whose tables spill out into the gardens.
As we wrote in Rome the Second Time, the Casa “inhabits an unusual 19th-century building restored to its late baroque beauty, the Aquario Romano (built to house an aquarium and fish hatchery).” It’s worth going inside and having a look (no charge); there are often exhibits.

9. Wholesale Shopping, Ethnic Style. Exit the gate at Casa dell’Architettura and turn right (yes, we’re just a trifle beyond our promised maximum of 200 yards from the front of the train station), continuing down what is now called via Filippo Turati. In the next few blocks and on adjoining streets, you’ll pass dozens of small shops selling clothes, shoes, and jewelry.
Most of the employees and owners are Chinese, though some of the stores—it depends on the street—are tended by those of mid-Eastern or south Asian descent. In the early afternoon, family, clerks, and children gather around the small display tables that center many of the stores and share lunch.

As we’ve noticed before, the shops seem to have merchandise but few customers; our theory is that they’re basically wholesale outlets, serving the area’s itinerant merchants and other establishments. Although the clerks often speak little English (and perhaps not much Italian, either), the stores are open to walk-in retail trade; we bought some inexpensive bracelets in one. As we recall, the only words that were spoken to us were the total price, in dollars. Our Italian friends claim that profits from these small businesses is essentially beside the point; big, unsavory Chinese money has selected the area for takeover—apartments, commercial establishments, everything--and the function of many of the businesses is to launder money involved in that process.

Whatever the truth of those claims, the volume of merchandise is substantial. We recommend a visit to the area’s “mall,” a square block of shops (surrounding a comfortable courtyard with benches and, when we visited, a photo exhibit). It’s located a couple of blocks down from the Casa dell’Architettura (above), just past via Mamiani.

10. Church of Santa Bibiana. This gem of a church is as far as you’ll ever want to go on via Giolitti – the street that runs along the south side of the station. It sits improbably next to the station’s outer buildings (look for the adjoining tall round tower, covered in travertine with spiral staircase – a fine example of modernism), and is now dangerous to approach across intra-city train tracks and the entrance to the underground passageway that leads to the other side of the major tracks.
The extant church of 1624-26 (the first one on the site dates to the 5th century) is by Bernini, his first major commission. He already was in fine form, as shown in his portico, façade and sculpture of the saint. Dianne will elaborate on this church in a separate post on some hidden churches of Rome. You may want to pray to the saint if you make it safely to her church and also hit the unusual opening hours: 7:30 - 10 a.m. and 4:30-7:30 p.m. You can’t enter as a gawker during masses (weekdays 8 a.m. and 6:30 p.m. and Sundays 8:30, 10, 11:30 in the morning and 6:30 p.m.).

Bill, with Dianne as church lady on #10