More than the Trevi Fountain: Prosciutto, Palazzi, Prints and Paintings within a coin's throw.

The Trevi Fountain is definitely a Rome the First Time experience--and many more times after that, we think. So don't miss it.  (And some advice on visiting it below... it's not so simple these days.)

But there's more!
Three historic Renaissance palazzi, more than three free exhibition spaces, and great food abound in the small streets to the right and left of the fountain.

To fuel yourselves for fighting the crowds and police that now surround the fountain, try the mouth-watering, tiny prosciutteria off the piazza. I must admit I wasn't keen on meeting our family there, expecting something trending on Yelp or Facebook, with little local flavor.  I was so wrong, as the "before" and "after" photos illustrate. La Prosciutteria Trevi, via della Panetteria, No. 34,11 a.m. - 11:30 p.m.

Sonia Delaunay print

Now for some art.  The Trevi Fountain overwhelms everything near it; thus, it's understandable that three or more (depending on how one counts them) art exhibition spaces are almost on top of the fountain and yet usually quite devoid of visitors. Istituto Centrale per la Grafica - the Central Graphics Institute - is contiguous with the building on which the fountain is built.  Go along the street on the right of the fountain and you'll find the entrance on your left.  It has excellent shows.  We've seen many there - from Piranesi's fantasy prints to Sonia Delaunay's work.  Free.  Via della Stamperia, 6.

Piranesi - from his fantastica "jails" series.

Borromini's 17th-century frieze at
Accademia di San Luca, with an Ontani
sculpture in the niche inside.

This is one of several exhibition spaces behind the fountain. The main one is in Palazzo della Calcografia - an 18th-century building by Giuseppe Valadier.  A second one is in Palazzo Poli, with an entrance on the left side of the Trevi Fountain (as we recall), and which is considered to house the Trevi. Some of the space is devoted to a permanent exhibition of older print-making machines and explanations of the techniques then and today.  You might be lucky, too, as we were one day, to find yourself on the second floor of the palazzo and looking out the window right onto the fountain itself.

Across from Palazzo della Calcografia is the main building of Rome's exclusive arts academy - Accademia Nazionale di San Luca, founded in 1577.  In this palazzo, Palazzo Carpegna,you can simply walk in to see the famed Borromini ramp and friezes from the mid-17th century.  Prominent exhibits often are installed on the ramp and elsewhere throughout the building.  We've seen excellent architectural drawings by contemporary Italian Starchitect Renzo Piano,who also designed the New York Times headquarters in New York and the newer buildings at the Los Angeles County Museum of Art.

That's Ontani in the shimmery pale blue silk
 suit and pony tail.  We caught a glimpse of
him touring his own exhibition
while we were doing so as well.

This summer the Accademia's primary installation is of works by an Italian sculptor and painter of whom we hadn't heard - Luigi Ontani. We found his capricious sculptures technically superb as well as fun and a bit bizarre. The exhibit is open until September 22 of this year. The building also houses a permanent exhibition of works donated by some of the famous members of the Academy, including Bernini.

Ontani's version of the lupa, Rome's she-wolf, with himself as the wolf.

Part of an Ontani sculpture channeling
Gertrude Stein.

Okay, advice on the Trevi Fountain.  Try to go very early in the morning or late at night.  Otherwise, it's a mob scene.  Don't try to wade in the fountain ala Anita Eckberg in La Dolce Vita.   There are police patrolling and pushing tourists to obey an unwritten code of conduct.  Eating lunch isn't in the code (see below).  Nor, for some of the fountain police, is sitting on the edge of the fountain. 

Trevi Fountain code police:
The couple is being told to put their food away.

Last photo - Curator and professor (Temple University, Rome) Shara Wasserman --she with the gold purse -- takes a group to the exhibition space in Accademia di San Luca.

Dianne

Water, Water, Everywhere? Rome's "Dry" Fountains

RST is pleased to welcome Romaphile Joan Schmelzle as guest blogger for this report on some of Rome's most curious fountains--those that don't have any water.  Joan is a graduate of Northern Illinois University and taught English in the region for many years.  She is currently active in the Center for Learning in Retirement in Rockford, Illinois.  In November, she'll experience the wonders of Rome not for the 2nd time, but the 13th. 

Having traveled to Rome several times over the last 50 years, I knew that Rome was a city of fountains and a city proud of its fountains and its wonderful water supply.  What I wasn’t ready for on my last trip was the many dry fountains that I ran into during my “fountain hunt.” 

Sad Eagle

 I found these lifeless fountains in many different parts of the city, and often there didn’t seem to be much reason for them.  I was especially surprised to see several in the Vatican Gardens during my tour.  I did see several men working in one or two different areas, but none on the fountains.  Of course, all the big show fountains were burbling away, but a couple were especially noticeable.  First was a somewhat sad looking eagle.  Judging from what looked like spouts on the top, water should have been pouring over him.   

Still thirsty

Another was a sea creature that seemed to be trying for a drink from a shell.  I fear he stayed thirsty.

Waterless Borghese Rocks

 Wandering through the Villa Borghese, I found a small area of rocks that  appeared to have once been swept by a wide flow of water and now seemed lifeless without it.   

Headless satyr (center)

I believe the saddest dry fountain in the Villa was the Fountain of the Satyrs, also called by the author H. V. Morton [see link to Morton's fountain book at the end of this post] the Fountain of Joy.  And I’m sure it once was a joyful sight.  But when I saw not only was it dry, but the smallest satyr, who was being bounced on the extended arms of the other two, was headless. This is one I would like to see being joyful again when I return to Rome.

A Dry Neptune

Across from the Pincio Hill end of Villa Borghese is one of the two huge fountains placed there by Valadier, who designed the Piazza del Popolo as we now see it.  Unfortunately, a huge statue of Neptune had no water for him to rule over.  

Monti

In another lively area of Rome, Monti, there is a fountain that I have seen running very happily with water and surrounded by people out enjoying their neighborhood.  On this trip, the fountain was dry, but it was decorated with several colorful balloons.  It seemed like the neighborhood wanted to add some life to its gathering place.

Dry wrestling

In the large park-like Piazza Vittorio, I found what at first looked like a series of twisted arms and legs but finally seemed to be at least two men wrestling with a large sea creature.

Nearby was what I took to be a tall ruin of a building, but on more research was found to be the ruins of a fountain that was once part of the ancient Trophies of Marius.

Marforio

Famous old Marforio, one of Rome’s talking statues, sits alone and dry in the entry of the Palazzo Nuovo on the Capitoline Hill.  He and his “friends” often exchanged criticisms of the government, the church, or whatever person or group that they felt deserved it. 

 Also dry this trip was Babuino, one of Marforio’s “friends,” after whom Via Babuino was named.   On my next trip I expect to see him with his trough filled; he was being restored last I saw him.

Apollo

 The garden of Palazzo Barberini, one of Rome’s top galleries, has been restored.  However, the water had not yet been sent to its fountains.  A restored Apollo with his lyre waited at the top of the hill for the water to make music for him.  Elsewhere in the garden were some rocks that looked like they should be fountains and which had water in the basins around them, but it looked more like rain water, and nothing was coming out of the spouts.

Pig and a Plaque

I conclude with one of my favorites—technically, no longer a fountain.  A small plaque with a pig atop tells the story.  With a little help from my Italian dictionary, it says: “On this site was placed the fountain which was in the way of the corner of Via dei Portughesi in the year 1874.”  I know that I won’t find water if I return to this little pig, but I certainly hope that some of my other dry finds will again be lively with good Roman water.

 A presto, Roma

Joan Schmelzle

PS from Dianne - Joan cites one of our favorite books - Morton's "Fountains of Rome."  See the end of our earlier post on the "fontanone" for info on the book; if you're a Romaphhile - get it.