Villa Altieri - "one of the most prestigious" 17th-century villas in Rome - hiding in plain sight

 Villa Altieri is one of those "Rome the Second Time" places in the middle of Rome rarely visited by the individual, and only occasionally by groups. Last year we encountered it only because we were interested in an exhibit featuring artists' responses to the Resistance in World War II (more about that in a later post). We had no idea of the place to which we were heading. What we found was a magnificently restored building, the kind of restoration for which few can match the Italians, and the layers of Rome that consistently surprise and delight us. At viale Manzoni 47, it's just steps from the Manzoni Metro A stop , on the edge of the Esquilino quartiere.

Above, the monumental entrance to Villa Altieri. Today one enters on the ground floor, beneath these grand staircases.

The palazzo is a 17th-century building. Pope Clement X (1670-76) was an Altieri, giving the family money to build this villa on top of an earlier structure.

The main hall of the ground floor of Villa Altieri has exposed "scavi" - excavations - from the earlier villa and from Roman times.

A collection of antique statues and other works is well-displayed in the various rooms. It's described as a small museum for the "prestigious" collection of the families that owned the property. Through the glass floor (a little disorienting when one first walks on it) one can see the "ancient" cobbled floors of the prior villa and the "archaeological stratifications" discovered in the restoration work.

That's me, focused  on the art exhibit. You can see the glass floor beneath my feet and some of the statuary in the hall.

A little of everything - the glass floors with
ruins below, a statue from the museum's
collection, a view out to the gardens, such
as they remain, and, center right, a painting
of Antonio Gramsci from the
 Resistance exhibition.

The city of Rome acquired the villa in 1975 and began restoring it in 2010. It's now the city's headquarters for "Culture and Historical Memory," with an archive open to the public that includes the Library of the Metropolitan City with the Historical Archive, the Study Center for literary research, linguistic and philological Pio Rajna , with the Dante Historical Library. (I'm using the site's English translation - links provided). 

The "museum" supposedly has visiting hours, but the website is woefully out of date. I suggest going when there is an event or exhibit and one can be more sure of it being open and accessible.

Facebook may provide the most up-to-date information on opening days and times. Specifically "Amici di Villa Altieri" here. It shows current events and exhibits. (Don't be misled by the Palazzo Altieri elsewhere in Rome or the Villa Altieri hotel in Albano.) 

On the other hand, the villa is so accessible, you can try simply stopping by. It's a lovely site, quintessentially Roman, with surprises from many eras.

City website on the villa here: https://www.cittametropolitanaroma.it/homepage/elenco-siti-tematici/villa-altieri/

A print - with description - from the Stanford collection here: https://web.stanford.edu/group/spatialhistory/vasi/catalog/appendix/vn195.html

Description of a bas relief with Mithras, here: https://www.mithraeum.eu/monument/475

Dianne

(Part Two of Villa Altieri - the exhibition of Resistance art- will be the subject of a subsequent post.)

The Mausoleum of Augustus--You CAN go there, if you can get a ticket

 

What Emperor Augustus's tomb looked like in ancient Rome (image by 3D Warehouse).

Larry Litman at entrance to the Mausoleum

 of Augustus (there's probably a 

smile under that mask).

     One of the astonishing openings in Rome—as Covid continues to haunt the globe—is the Mausoleum of Augustus in Rome’s Piazza Augusto Imperatore. Since World War II, this ancient Roman site--the largest circular tomb of the Roman world, as noted below--has sat, neglected, overrun with weeds, and closed to the public. After fits and starts for the past decade-plus, the Mausoleum was opened to visitors just this Spring (Covid be damned). Our Roman friend and guest blogger, Larry Litman, managed to snag a now-sold-out ticket. Below is his rare first-person account of a visit to this important piece of history (from tomb for Augustus to music hall to proposed tomb for Mussolini – you get the picture).

   Larry Litman wrote eloquently in March 2020 about being in Rome under one of the first lockdowns, and, since we still couldn’t be in Rome for the Christmas holidays, he gave a virtual tour on this blog of the unusual presepi or crèches in Piazza San Pietro (St. Peter’s Square).

    Larry grew up in Southern California (unknowingly, we recently visited his old neighborhood) and lived in Hoboken, New Jersey, before moving to Rome in 2007. In the early 1970s he studied at Loyola University of Chicago's Rome Center, now the John Felice Rome Center on Monte Mario. "That was when I fell in love with the city of Rome," Larry writes, "and then I had the dream of making Rome my home."

 Larry is a retired teacher/librarian from Ambrit International School and is active at St. Paul's Within the Walls (the Episcopal Church on via Nazionale).  He also volunteers at the Non-Catholic Cemetery. He has two adult children and two grandchildren living in New York City.​

 

As one enters the Mausoleum, one can see evidence of many
different construction and rehabilitation efforts
over the centuries, typical of Rome.

The Mausoleum of Augustus (Il Mausoleo di Augusto), constructed in 28 BC, was closed to the public after World War II. In March of this year it was officially reopened to the public after five years of restoration work significantly funded by TIM, the Italian telecommunications company. However, the monument’s opening was cut short by Covid restrictions which closed Italy’s museums and archeological sites. In May the Mausoleum opened again for guided groups of ten visitors at a time. Online reservations were filled almost immediately. We were fortunate to obtain reservations to visit the site on a rainy Wednesday morning at 9:00 a.m.

Our group was met at the entrance by a knowledgeable archeologist who shared the features and history of this monument, the largest circular tomb of the Roman world. After descending a ramp to several meters below the modern street level we stood before the entrance to the tomb. Originally this entry was flanked by two obelisks that now stand in front of the Quirinale Palace and in the Piazza del’Esquilino behind the Basilica of Santa Maria Maggiore [the prior post on this blog; obelisk photos below]. 

Our guide points out inscriptions praising Emperor Augustus, inside the tomb.

The Mausoleum had a diameter of 87 meters (almost 300 feet) and a height of around 42 meters (about 140 feet). At the center of the mausoleum were a series of chambers which until 217 AD held the urns of the Julio-Claudio emperors (except Nero) and their families. The innermost chamber held the remains of the Emperor Augustus, and the surrounding chambers held the urns with the ashes of the others.

This future performance space is visible looking out from the
upper level to the center of the Mausoleum.

 

 

 

Many monuments in Rome have been used over the centuries for numerous purposes other than the ones they were built for. The Mausoleum of Augustus is no exception. Our archeologist shared some of these as she led us through the various levels and chambers of the site.

-       In the 12th century the Mausoleum became a fortified castle of the Colonna family.

-       In 1241 Pope Gregory IX expelled the Colonna family and destroyed their castle. Urban gardens started growing on the abandoned Mausoleum.

-       During the 16th - 18th centuries there were hanging gardens with a collection of Roman antiquities displayed inside the Mausoleum, then an arena for bullfights, and eventually a stage for plays and circus performances.

-       Between the years 1907 - 1936 the inner part of the structure was converted into a concert hall holding about 3,500 people, with performances by the National Academy of Santa Cecilia.

-       On May 13, 1936, Mussolini ended the concerts and initiated a plan to turn the Mausoleum of Augustus into a tomb for himself. World War II put an end to those plans.

 

The Mausoleum as seen from the street (weeds mostly cleared away).                  

    

The Mausoleum of Augustus then was abandoned until 2007 when studies began to restore and repurpose the ancient site. Today, even as it has been opened to the public, work continues on the Mausoleum’s restoration. A museum, as well as a performance stage, is being developed within the monument. The surrounding area is also being developed as a pedestrian piazza with stairs and ramps to the street level. The Mausoleum of Augustus is now becoming a part of urban life in contemporary Rome, one of the many places in this great city where the past meets the present.

Upward looking views here and below, left.

 Note: The installation of an elevator has not been completed. To tour the Mausoleum a visitor must climb multiple levels of steps.

Larry Litman

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A few items of note: More photos follow here and at the end of this post.

The official website, which includes, in English, "Book Here,"  is here: https://www.mausoleodiaugusto.it/en/booking/

For now the tickets are sold out through June 30. The last two times they were available, they sold out in 24 hours each time. We are not certain when they will next be made available.

The Mausoleum is in the same piazza as the Ara Pacis, which is one of the most visited sites in Rome (pre-Covid, anyway). And Bulgari is planning a 5-star hotel in the piazza, in a large, interesting (to us) Fascist-era building facing the Mausoleum. Note this piazza was one of RST's "Top 40," even with the Mausoleum in disuse and disrepair; we called it "Rome's most abused piazza."

The two displaced obelisks are pictured below in their current locations. We (RST) had no idea they once graced the Mausoleum. The first is the obelisk at the Quirinale, and the second at Piazza del'Esquilino, in back of the Basilica of Santa Maria Maggiore.

Dianne

 

 

Occupied! Spin Time Labs, Scomodo, ACTION, and a Big Building in the City Center

The building's entrance on via di Santa Croce in Gerusalemme.  Note information boards on both sides.  The banner
reads: "The right to housing is sacrosanct." 

It's an undistinguished building, to say the least. Despite its enormous footprint--occupying the end of a city block on the Esquilino, bounded by via Carlo Emmanuele, via Statilia, and via di Santa Croce in Gerusalemme (the latter a major thoroughfare running southeast off Piazza Vittorio Emanuele)--it is forgettable, pedestrian architecture of the sort that was all too common in the 1960s and 1970s.

"Read Scomodo" (a basement pillar)

In this case, what matters is what's inside, and fortunately, the building's contents were at least partially suggested by information boards on the via Santa Croce side.  One board revealed that there were all kinds of things going on inside: the ground floor housed a social service center, an afternoon school, and a "mini-basket" facility, where children could learn to play basketball; next floor up, an enoteca (wine shop), a wood-working facility, and something called the "spin beer lab." There's a theater on the 2nd floor and, on the 3rd, a religious center and a place to take lessons in the martial arts. From a personal friend, we also knew that the building housed the offices of "Scomodo" (meaning, roughly, "uncomfortable"), an excellent left-leaning, muck-raking magazine produced and distributed by young Romans, and now mainly online.

Two of the information boards.

Another board provided some background.  The building was once occupied by INPDAP (a government agency responsible for providing assistance to public employees), then for some years abandoned, before being "occupied"--that is, taken over, illegally and informally--in October 2013 by a group known as "ACTION," for housing purposes.  The group began to reclaim some of the floors, went on a hunger strike--for what purpose remains unclear--and obviously (from the right information board), launched a variety of cooperative institutions and services that together constitute an effort to create an alternative community.  There's even an osteria.

Today "ACTION" remains involved. However, as still another board explains, most everything is done under the auspices of the group "Spin Time Labs." The building is now home to 150 families (about 450 people), including immigrants, many of them once homeless or otherwise in need of a place to stay.  And all this has happened in a building the occupants--whether the 150 families or Spin Time Labs--don't own.

Occupied buildings are common in Rome, and oddly (from an American perspective) tolerated--until they're not, which can be a long time. (We wrote in 2011 about the occupation of a theater.) Covering the occupations, the newspaper Il Messaggero noted that a building that once housed the Treasury Ministry was occupied for many years by the right-wing organization, CasaPound. Il Messaggero seemed especially irritated that those occupying the buildings did not pay the appropriate fees.

Our first encounter with the structure was in mid-April, 2019.  By mid-May, the building, and Spin Time Labs, were at the center of a major controversy.  Neighbors of the building were upset--indeed, enraged--that the occupied structure was hosting loud, well-attended late-night (or all-night) parties, featuring a disco, drugs, and heavy drinking. It was impossible to sleep, they said, and in the morning the area was a mess: mounds of trash and hundreds of empty beer bottles.

Late-night, nearly-morning revelers.

One of the most offensive of the parties, "Notte Scomoda," put on in December, 2018 by Scomodo magazine in their basement quarters, was visited by a number of motorcycles (there's a vehicle ramp leading downward, off via Carlo Emanuele), whose riders surely enjoyed revving their engines in that echo-y subterranean space.

The ramp off via Carlo Emanuele

The legendary motorcycle party.  Neighbors not in favor. 

This could be the space used by the motorcycle rally.

Aside from the noise problem, the parties raised once again the issue of whether building occupations were and should be tolerated by the authorities. It was noted that Forte Prenestina had been occupied since 1986, and that another troublesome "entertainment" occupation, at "Strike spa" in Portonaccio (both farther from the city center), had been ongoing since 2002. (See our post here, about Rome's issues with immigration and housing, and here, about Rome "capital of evictions.")

Even the Vatican came in for censure. When Spin Time Labs failed to pay the building's electric bill, the electricity was cut off, then restored through the intercession of one Cardinal Krajewski (who has some sort of official church role in that area of Rome), who apparently did so on the grounds that there were 450 poor people depending on it. In addition, Il Messaggero claimed that Spin Time Labs was exploiting the idea of helping those in need of housing in order to hold enormous social events and makes lots of money: thousands attending every weekend, each paying about $10 to enter, dance, and carouse. 

If we read the information boards correctly, those involved in the occupation have long been interested in the re-use of materials, and with good reason. When INPDAP moved out, they left behind enormous amounts of stuff.  We know this because when we visited the building--by invitation of our Scomodo friend--we were witness to the ongoing cleanup required to clear space for Scomodo's offices and social events.

A basement area that needs to be cleaned up, contents sorted.  Dianne is holding up a sign from one of the parties.  Note that beer is more expensive than wine--the norm in Italy. 

A very old film projector.

Some rooms--including one (above) that resembles the newspaper photo featuring the motorcycles--have been emptied and cleaned.

Graffiti on the basement walls would suggest that housing remains a high priority for those occupying the building.

"Too many people without houses.  Too many houses without people." 

Italy has some 50,000 people without housing,

We've never been on the building's upper floors, never seen the osteria or the enoteca or the areas where families live.  Maybe next year.

Bill