Giulio Magni's Palazzo Marina: a Tour of Italy's Naval Ministry

Big anchor that has something to do with
World War I.  The facade also
pays homage to Italy's great naval cities:
Genova, Venice, and Rome.  Rome?

It occupies most of a large city block.  It's on the Tevere.  And it's only a ten minute walk, north, from Piazza del Popolo.  Yet except for two enormous anchors in front of its beaux-arts facade, most passers-by wouldn't give it a second thought.

It's the Ministero della Marina Militare, the Naval Ministry (or, in Americanese, the Department of the Navy.  The building is also referred to as the Palazzo Marina).  Although the ministry's website claims there are regular guided tours (see below), we doubt it.  Our access was through Open House Roma--yes, that's what the Romans call it--that wonderful program that opens dozens of sites, including some state buildings, for tours. In Italian.  We toured the Air Force building last year.  And this year, the Navy.

Door handle--nice touch

Built between 1912, when Italy was still a democracy, and 1928, when Mussolini had made sure it wasn't, the building is a luscious mix of styles: Rome Liberty (Victorian), barochetto (little baroque), what the website calls "Michelangeloesque eclecticism" and, here and there, accents of Fascist modernism.   Excess is everywhere.  

Magni's Santa Maria Regina Pacis, Ostia

The Ministero della Marina Militare was designed by Giulio Magni (1859-1930), grandson of the more famous Giuseppe Valadier, who created Piazza del Popolo for Napoleon.  Magni came to Rome as a young man, working on a variety of projects, including the ICP (public) housing plan for Testaccio and the Vittoriano.





After 10 active years in Romania (1895-1904), Magni designed the church of Santa Maria Regina Pacis in Ostia (1928), public housing in Testaccio, and several villas for the Roman elite. Among the latter was Villa Marignoli (1907), now a classy hotel--the Residenza Villa Marignoli--on via Po not far from Villa Borghese.










Just inside the Naval Ministry is a splendid long hall with high ceilings and, off the left/north side, a lovely courtyard.

A spectacular marble staircase, dressed with naval motifs, centers the building.  The rounded elements on the side resemble waves.




















The Sala dei Marmi--the Marble Room--offers as its centerpiece a massive table, made of 13 different marbles from Italy and Africa. Underneath, fasces.

The library's book retrieval box is above the fire extinguisher.  Anchor-motif
detailing for the railings.  

Parents, where are you?

The library, in neo-Renaissance style, houses a variety of treasures and details, including a valuable globe dating to the 17th century (when we were there a small child was clinging to it; I imagined it going over), a spiral staircase leading to a narrow second-floor balcony, and an inventive book retrieval mechanism fashioned of iron.

A VI, the 6th year of Fascism, 1928

Standing out among the Fascist touches was a gorgeous ceiling, complete with fasces.

A long hallway presents memorabilia of Italian naval history. (A song from my youth, "I'm in the Swiss Navy," kept going through my head).

Stairway cheesecake

One of the high- (or low-) lights of the tour was the performance of a 30ish-couple, who seemed to think the building was designed for their photo-shoot.








At left, a good example of the mixing of styles and epochs: a wall lamp in the Liberty style, very 19th century, but a fasces--very 20th--in the center. Additional photos of the building and a video tour of sorts, in Italian, on the ministry website:
http://www.marina.difesa.it.storiacultura/storia/palazzomarina/Pagine/PalazzoMarina.aspx


Bill

Assuming the ministry runs the tours it claims it does, reservations are required: 0636805251 or 0636803268.  Reservations and tours in Italian, of course.

Neo-classicism and Security

Colle Oppio: In the Shadow of the Coliseum

So you've "done" the Coliseum.  It's not yet lunchtime [1-3 in Rome outside the tourist areas], you've given the fenced-in Arch of Constantine its due, and you're tired of being surrounded by tourists and badgered by folks wanting to sell you stuff. Where do you go?  What's next?

You wouldn't know it, but you're just due passi--literally two steps, but generally meaning "nearby"--from Colle Oppio [Oppio Hill], a fascinating, compact, Roman park, filled with attractions from the historic to the funky.  You can get onto, or into, the Colle Oppio through the gate, and then the path, that runs roughly north from the Coliseum, paralleling via Labicana. This is one of Rome's famous seven hills, and some say one of the most inspiring in Rome, with the Coliseum as its backdrop.

One of the first things you see, on your left, is a statue to Alfredo Oriani [1852-1909].  On the side it says A Roma Madre Ravenna.  It's a creation of the Fascist era--XIII, the 13th year of the Fascist regime, or 1935.  A novelist, poet, and social critic, Oriani's work received little attention until the end of the Great War, when it was discovered by the Fascist regime and, with Mussolini as editor, republished in 30 volumes.  Oddly, Oriani was also appreciated by leftist and anti-Fascist Antonio Gramsci, who wrote about him in his prison notebooks.  When we saw the statue, it had been lightly defaced with a right-wing symbol.







Shortly after the statue, turn up to the left.  Ahead is a large pool/fountain--another, somewhat earlier Fascist-era monument.














Perhaps its outstanding feature is the amphorae that decorate it--symbols of ancient Rome, when clay vessels of this kind were used to transport oil and other commodities.  The smaller fountains at the sides of the larger ones are of interest as well.  Above each of them is the letter "A" [for Anno, year] and the number VI [the sixth year of Fascism, or 1928].









Beyond the fountain, on a wall to the right, is some intriguing and, we assume, relatively permanent graffiti: Omnia Vincit Amore [sounds to us, who have never studied Latin, like Love Conquers All/Colle Oppio, and in the center a symbol we haven't seen before.  And just ahead, the remains of a substantial and once-elegant complex of ancient Roman baths.  These are what remains of the magnificent, 10,000 square meter Baths of Trajan (Emperor 98-117 AD), designed by the brilliant architect Apollodorus of Damascusa in 109 AD above Nero's famous - or infamous - Golden House (closed/open/closed - we think now truly closed - the conservationists can't seem to prevent its collapse.  Luckily we saw it in its brief open period a few years ago). [See Marco's update in the first comment below - there may be hope here.]  There's another piece to your left and back--we'll get there in a moment.






This park has another aspect, one that you may--or may not--appreciate.  It's a gathering and resting place for black immigrants, some of them the itinerant merchants who are ubiquitous in Rome's tourist areas, others, perhaps, unemployed or underemployed.  When we visited in May, the field next to the baths was dotted with sleeping young men.





As you move more or less back toward the fountain, and somewhat to the right, you'll find a second set of
ancient bath ruins.  These are more of the Baths of Trajan.  When we last were there, the city had put up some informative placards near the various ruin sites.  Since the baths covered 10,000 square meters and had gyms, saunas, hot and cold rooms, etc., you will find ruins dotting Colle Oppio, which has been called an archaeologist's dream.  No crowds here.

Next to this piece of the baths is another treasure, from the 1930s: a stone fountain in the modernist style, once elegant but now broken and defaced.  The marble bowl is beautiful, nonetheless.  And the fasces on the side of the fountain are remarkably well preserved.












Two more sights to see.  One is a modest, 2-story building of unknown origins--it could be hundreds of years old, or only a century--fenced in and circled by bushes and trees.  As the sign says, it's the property of the Comune di Roma--the city government--and houses the Centro Anziani "Colle Oppio": a social center for the neighborhood's population of older, retired people--of which Italy has plenty.




Our last stop is a small athletic field, in sight of the Coliseum, where we began our journey.  On our visit it wasn't being used for soccer or any other sport, but rather as a meeting place for the the area's itinerant merchants.  They often carry their wares in blue plastic bags.  On this day, these merchants also hoped to sell umbrellas.  A broader view of the field is at the end of this post.

Bill  

Hunting for Fasci (Fasces) in Rome

Prominent, column-size fasci on a government building in Pomezia, a nearby "new" town,
built under Mussolini's regime.  Above the door, we learn that the building was constructed
in the year (A., anno) 17 (1939) of the Fascist (F.) Era (E.).

As readers of this blog and our book, Rome the Second Time, are well aware, we enjoy exploring the Rome cityscape for signs of Mussolini's Fascist regime (1922-1943), the most important political event in 20th-century Italy.  Some of those signs are obvious, including the monumental complex at EUR, south of the center, and Foro Italico (once Foro Mussolini), the complex of sports facilities north of the center, across the river from the Flaminio area.  Although neither of these areas is featured in Rome the Second Time (the book), the book's Itinerary 5, "Nazis and Fascists in Central Rome," offers a look at Fascist-era architecture on Via Leonida Bissolati and the lower reaches of Via Veneto.   For more on Fascist architecture, see our new book, Modern Rome: 4 Great Walks for the Curious Traveler (more at the end of this post).

There are other, more subtle ways to engage the Fascist heritage.  As we explain in a sidebar in Rome the Second Time (p. 85), many buildings constructed in the Fascist era proclaim their origin under the regime by using the Fascist dating system, which begins with 1922 (Year I, using Roman numberals).  Many if not most of these buildings retain these Fascist markings. 

Another way--and the subject of this post--is to look for fasces (the Italian word is fasci), the foremost symbol of the Fascist regime.   The fasci--a bundle of sticks with an ax blade emerging--dates to ancient Rome and means something like "strength through unity." 

The symbol has been widely used through the ages.  It appears on the "tails" side of the U.S. mercury dime; on the emblem of the Knights of Columbus (right); on the insignia of the National Guard Bureau; and on the seal of the Adminsistrative Office of the United States Courts (above).  In the twentieth century, it was most prominently employed by Italy's Fascists, whose movement takes it name from the fasci. 

Hacking away at a symbol of the
Fascist regime, Milan, 1943.

Although some fasci were removed by angry anti-Fascists when Mussolini's regime fell in 1943 (left), and others since then, many still remain as reminders of the dictatorship.

Fasci on a school building in Centocelle, a
close-in suburb of Rome

A high schematic example, from Fascism's
year (A.) 9.  In Garbatella

Here the fasci decorate an ornate fountain
in the main piazza in Grottaferrata,
a town in the Alban Hills.  Probably 1920s. 

Below, we offer some of those we found in the last two years.  Good hunting! 
Bill

The base of a flagpole at Cinecittá, the
movie-making center, with wrap-around fish.

One seldom sees a light standard with fasci, perhaps because they're quite public.  This one, featuring a schematic design, was in an ironworks exhibit in the Casino delle Civette, in Villa Torlonia.

Because manhole covers are seldom changed and seldom stolen, they are a good source of fasci.  This one is obviously from Pomezia. 

Here, a contemporary artist has juxtaposed fasci with
other images from or of the 1930s. 

For more on fasci and Fascist architecture, see our new print AND eBook, Modern Rome: 4 Great Walks for the Curious Traveler. Modern Rome features tours of the "garden" suburb of Garbatella; the 20th-century suburb of EUR, designed by the Fascists; the 21st-century music and art center of Flaminio, along with Mussolini's Foro Italico, also the site of the 1960 summer Olympics; and a stairways walk in Trastevere.

 This 4-walk book is available in all print and eBook formats The eBook is $1.99 through amazon.com and all other eBook sellers. See the various formats at smashwords.com. 

Modern Rome: 4 Great Walks for the Curious Traveler now is also available in print, at amazon.com, Barnes and Noble, independent bookstores, and other retailers; retail price $5.99.