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Showing posts with label Cerveteri. Show all posts
Showing posts with label Cerveteri. Show all posts

Sunday, August 29, 2021

Immersion in Rome: Sari Gilbert's new mystery "Deadline Rome: The Vatican Kylix"


If you want to immerse yourself in Rome but can't get there yet, Sari Gilbert's 2021 mystery novel, "Deadline Rome: The Vatican Kylix" is a perfect way to do it. 

Set mostly in Trastevere, Gilbert's novel features a British archeologist turned journalist and part-time detective, Clare Phillips, whose knowledge of Rome's news and police systems is deep and fascinating.

The story opens with a kidnaped young man, who has a head wound, and follows shortly with Clare and her archeological buddy discovering an ear in an Etruscan tomb, where they are picnicking near Tuscania. We've been in some of those tombs - and one can picnic in them - many are simply open. And Tuscania is a gorgeous town in northern Lazio. Hopefully that will  prick your appetite for this delightful book.

Etruscan tomb in Cerveteri

You can follow Gilbert's attractive protagonist as she scooters around Rome and its environs, interviewing everyone from bishops to tombaroli (grave thieves - those who plunder ancient graves for valuable artifacts). For those who watched the British TV series, "Fleabag," you'll be pleased to note there's even a hot priest in the mix.

Enjoying Tuscania







Gilbert's novel intertwines several historically important stories: the questionable provenance of ancient relics, in this case a signed Greek wine cup or the Kylix; corruption in the Italian banking system; and the anni di piombo, or "years of lead," in which kidnaping for political and monetary gain was a plague in the country - the novel is set in 1980. The author, a retired American journalist with years of experience in Rome, adroitly uses these historical themes to remind the reader of critical facets of contemporary Italian history. 


The proposed unveiling of the Kylix reminded us of a big show of recovered artifacts in the Carabinieri headquarters in Rome. Clare visits some of the same places we did, and interviews officials we - mostly unsuccessfully - tried to interview. - photo right; our post here.

On a more playful level, Clare traipses around Rome (as noted, by scooter, but also on foot, and by car), taking the reader to specific streets and locales that evoke the Rome of Romans, not of tourists. Her favorite barristas, coffee bars themselves, small restaurants, pasta, all are a delight to anyone who loves Rome. And if you don't know a specific street, you can get out your Google Map (or Tuttocitta') and follow along. She also slings the Italian slang, some of which was new to us, but some of which we were pleased to see on the page, including "conosco il mio pollo" - "I know my own chicken" - i.e. I know of what I speak; let me do it.

One complaint might be that Clare is a little too attractive, especially to the Italian men; though I suppose Gilbert might say, that's her Italian experience. One gets a little weary of Clare constantly being noted for her good looks, and those good looks opening doors for her. And a mystery fan with whom I spoke thought there were a few too many characters and that it was difficult to keep track of them all. That wasn't my experience. In any event, these are small criticisms in a wonderfully written book with a good mystery at its heart (you'll note I haven't spoiled it for you). I'm looking forward to more from Gilbert. 


At the bar/cafe Ombre Rosse, in Piazza di Sant'Egidio,
where Clare lives.

Dianne

Gilbert's book is available on Amazon and elsewhere.




Wednesday, April 16, 2014

Fu-turing at Cerveteri: Discovering the Etruscans through Digital Technology

RST is pleased to welcome guest blogger Theresa Potenza.  Based in Rome, Potenza is an art historian and freelance writer.  To learn more about her private tours of Rome and read her travel and feature stories about Italy check out: www.italywiththeresa.blogspot.it.


Experience the past by leaping into the future.  At Banditaccia necropolis at Cerveteri, digital technology engages raw archaeology.  The long dead come to life—well, almost. 

The city of Cerveteri, located 28 miles (50km) north of Rome, was one of the largest cities of the Mediterranean before the Roman civilization.  Its burial site offers a taste of the complicated Etruscan religion and preoccupation with death and foregrounds the Etruscans’ skillful and creative construction techniques.

A new technology program at the site, called Fu-touring, enhances an already powerful in-person experience of a city of the dead.  Inside the technology center you can watch a 20-minute 3-D video providing just enough background on the people, burial practices, and art of Cerveteri to put the 25-acre (10-hectare) site into context.  Three of the tombs are enhanced inside with a 2-minute video that recreates where objects were placed along the walls, how the architectural space was carved, who was buried there, how their funerals took place in that space, and even reconstructs earthquakes and natural disasters to show how precious terra-cotta vases and other personal items were damaged over the centuries.  


Hundreds more tombs are available to visit in order to expand your imagination, including 9th century BC small hut tombs and dice tombs, resembling shop windows, set along a main road.





The most famous tombs are those of the 5th century BC, grande tumuli (mounded) tombs indicating an elite aristocratic class and built to imitate domestic architecture of the period.

Palazzo delle Esposizioni
April 15-July 20
These technological enhancements to one of most unique burial sites in the world, connected to a leading ancient city on a par with Athens and Rome, comes at a time when the Etruscan city of Cerveteri is in the spotlight in Rome.  An exhibition at the Palazzo delle Esposizioni--on from April 15th through July 20th --assembles some of the best collections of previous archaeological discoveries from inside these tombs from significant galleries around the world, including the Vatican Museums, Paris’ Louvre, and the British Museum in London. The exhibition incorporates some of the most remarkable and well-known finds from Cerveteri, as well as material recently discovered and never before revealed, providing new insight into this mysterious metropolis and the remarkably advanced pre-Roman civilization of the Etruscans.

Theresa Potenza