Immersion in Rome: Sari Gilbert's new mystery "Deadline Rome: The Vatican Kylix"

If you want to immerse yourself in Rome but can't get there yet, Sari Gilbert's 2021 mystery novel, "Deadline Rome: The Vatican Kylix" is a perfect way to do it. 

Set mostly in Trastevere, Gilbert's novel features a British archeologist turned journalist and part-time detective, Clare Phillips, whose knowledge of Rome's news and police systems is deep and fascinating.

The story opens with a kidnaped young man, who has a head wound, and follows shortly with Clare and her archeological buddy discovering an ear in an Etruscan tomb, where they are picnicking near Tuscania. We've been in some of those tombs - and one can picnic in them - many are simply open. And Tuscania is a gorgeous town in northern Lazio. Hopefully that will  prick your appetite for this delightful book.

Etruscan tomb in Cerveteri

You can follow Gilbert's attractive protagonist as she scooters around Rome and its environs, interviewing everyone from bishops to tombaroli (grave thieves - those who plunder ancient graves for valuable artifacts). For those who watched the British TV series, "Fleabag," you'll be pleased to note there's even a hot priest in the mix.

Enjoying Tuscania

Gilbert's novel intertwines several historically important stories: the questionable provenance of ancient relics, in this case a signed Greek wine cup or the Kylix; corruption in the Italian banking system; and the anni di piombo, or "years of lead," in which kidnaping for political and monetary gain was a plague in the country - the novel is set in 1980. The author, a retired American journalist with years of experience in Rome, adroitly uses these historical themes to remind the reader of critical facets of contemporary Italian history. 

The proposed unveiling of the Kylix reminded us of a big show of recovered artifacts in the Carabinieri headquarters in Rome. Clare visits some of the same places we did, and interviews officials we - mostly unsuccessfully - tried to interview. - photo right; our post here.

On a more playful level, Clare traipses around Rome (as noted, by scooter, but also on foot, and by car), taking the reader to specific streets and locales that evoke the Rome of Romans, not of tourists. Her favorite barristas, coffee bars themselves, small restaurants, pasta, all are a delight to anyone who loves Rome. And if you don't know a specific street, you can get out your Google Map (or Tuttocitta') and follow along. She also slings the Italian slang, some of which was new to us, but some of which we were pleased to see on the page, including "conosco il mio pollo" - "I know my own chicken" - i.e. I know of what I speak; let me do it.

One complaint might be that Clare is a little too attractive, especially to the Italian men; though I suppose Gilbert might say, that's her Italian experience. One gets a little weary of Clare constantly being noted for her good looks, and those good looks opening doors for her. And a mystery fan with whom I spoke thought there were a few too many characters and that it was difficult to keep track of them all. That wasn't my experience. In any event, these are small criticisms in a wonderfully written book with a good mystery at its heart (you'll note I haven't spoiled it for you). I'm looking forward to more from Gilbert. 

At the bar/cafe Ombre Rosse, in Piazza di Sant'Egidio,
where Clare lives.

Dianne

Gilbert's book is available on Amazon and elsewhere.

The Price is Right: What's More Expensive?

Q. What costs more in Rome? 

              A small box of wooden matches?  Or a bottle of very drinkable white wine from the southern Tuscan town of Pitigliano? 

A. They cost the same: 2.5 Euros, or about $3.00

Hiding horses, cows, Badoglio's sedan--and Jews: Basilica SS. Quattro Coronati and the Strange Career of Pius XII

SS. Quattro Coronati sits perched on a narrow road.

In Rome's "overlooked churches" category, we offer the lovely Basilica Santi Quattro Coronati, perched on a narrow street between San Giovanni in Laterano and the Coliseum. Overlooked perhaps because it's too near both of those as well as the much more popular (with tourists) Basilica San Clemente, and because the public can see only a fraction of the Augustinian convent complex that encompasses the church. I've always felt a tie to it because it was on one of my routes to the hospital where my broken shoulder was repaired in 2009.

The small courtyard beyond the public entrance doesn't
give one a feel for the beauty of the complex.

A few years ago I found a rather dated article (2008) describing how the nuns of the convent hid Jews from the Fascists and Nazis in World War II, under - according to the article - orders from Pope Pius XII. Knowing a bit about the controversy surrounding Pius XII's road to sainthood, I checked the article more and noticed (for the first time) that its venue was "30 giorni" ("30 Days") and, per my trusted source, Wikipedia, that 30 giorni was an Italian  monthly magazine of ecclesiastical geopolitics that [was] widely read in the Roman Curia. It existed between 1988 and 2012..." and "fully reflected the politics of Vatican diplomacy." 

Recently, we reviewed the documentary, "Syndrome K," about Jews hidden in the Ospedale Fatebenefratelli on Isola Tiburina in Rome during the Fascist/Nazi era. We questioned, in that review, the statements of a representative of the US Holocaust Museum defending the pope's (in)actions during the rounding up of the Roman Jews as attributable to realpolitik. That is, the Vatican viewed itself as  incapable of helping the Jews in any significant way by its fear that the Germans would bomb, raid, or even occupy Vatican City. [We also published in RST, earlier in 2020, an excerpt from one of the brave hospital doctor's books, here.]

I was skeptical of the 30 giorni article's claim of the Pope's order, for several reasons, including the clearly biased source. I was also influenced by an excellent talk we heard in Los Angeles, by the Italian historian Guri Schwartz, then visiting at UCLA, titled, "The ‘Myth of the Good Italian’: Origins and Evolution," which we wrote about on RST in 2014, here.

In addition, I had read in the past several books by David I. Kertzer,  a renowned historian of 20th-century Italy. We wrote a post, in 2016 here, on his Pulitzer Prize winning book, "The Pope and Mussolini," [about the predecessor Pius XI]. Another of his works is "The Popes Against the Jews: The Vatican’s Role in the Rise of Modern Anti-Semitism" (2001). [More below about Kertzer's work in the newly - 2020 - opened Vatican archives.]

Pius XII - photo from The Times of Israel with
the caption: "Documentary confronts cost of
Pope Pius XII's 'Holy Silence'
during Holocaust."

In response to my query about the claim in the 30 giorni article, Kertzer recommended Susan Zuccotti's 2002 book: "Beneath His Very Windows: The Vatican and the Holocaust in Italy." Zuccotti's critical analysis of documents from the Vatican archives, which were expurgated before being opened somewhat in those years (in what looks like an attempt to defend Pius XII), is unrelenting in drawing the conclusion that Pius XII and the Vatican were sorely lacking in words, actions, and moral authority. According to Zuccotti, had the Pope exercised moral leadership, thousands of lives could have been saved. 

Photo from 30 giorni article,
captioned "Two nuns in the cloister
of  the Santi Quattro Coronati in a photo
 from the early ’forties."
[They are small figures in
the back right, visible
with their white bib collars.]

At the same time, Zuccotti concludes in the last sentence of her book, "In Italy, at least, large numbers of priests, nuns, monks, and Catholic laypersons risked their lives to save Jews with little guidance from the pope." Those "large numbers" include, clearly, the Augustinian nuns of Santi Quattro Coronati. The 30 giorni article cites the number of 17 Jews being harbored in Santi Quattro Coronati, based on a 1961compilation by noted Italian historian Renzo De Felice. Zuccotti, while offering respect to De Felice, deconstructs his statistics, pointing out convents he missed, and the fact that some of the grand totals may be duplicates: Jews who moved from one hiding place to another (as did the Jews in Ospedale Fatebenefratelli). 

De Felice, she points out, "published an impressive list of 100 female convents" (and other male-operated monasteries, schools, etc.). These, she notes, were out of 1,120 religious institutions for women in Rome. "Given that surprisingly large number, the statistics of 100 female convents….that sheltered Jews become less impressive….What is certain is that we will never really know [the number]."

Despite its suspect history, the 30 giorni piece provides other insights into SS. Quattro Coronati. "In a large area next to the garden the nuns hid no less than eleven cars, including that of Marshal Pietro Badoglio, the head of the Italian military government, who had fled from Rome the day after 8 September [1943, when the post-Mussolini Italian government signed an armistice with the Allies and the Germans moved in to occupy Rome]. And then seven mares, four cows as well…" An aerial view of the complex shows how it had room for all these vehicles, animals, and people.

The Mother Superior at the time, whose words are paraphrased by another nun to comprise the "facts" of the article, "was in constant contact with Antonello Trombadori, a Communist party leader and head of the Armed Partisan Groups in Rome, and with many other opponents of Nazi Fascism." This detail is interesting because the popes were virulently anti-Communist. They preferred Nazism and Fascism (with which they felt they could negotiate) to anti-religious Communism. It's hard to believe Pope Pius XII ever approved of contact with Communists.

I will look differently at lovely, peaceful, seemingly small Santi Quattro Coronati when I return to Rome, thinking about all that went on behind its walls, and the raging controversy to which it is still contributing.

Dianne

A note on David I. Kertzer's work: the Vatican opened more of its archives in early 2020, just before Covid shut down or severely limited research everywhere. [Interesting Washington Post article headline: "Pope Pius XII was silent during the Holocaust. Now Vatican records may reveal whether he collaborated with the Nazis."] With the help of an Italian researcher, Kertzer was able to publish a lengthy article in The Atlantic, based on the newly opened archival material. The article tells the story of two French Jewish boys, hidden by Catholics and baptized, and the struggle to return them to their Jewish relatives. The story bears many similarities to Kerzer's superb book, "The Kidnapping of Edgardo Mortara," which we found so riveting, and so helpful in understanding Italian politics in the 19th century (as the country was being liberated from the popes), that we've given it to many people.

Things SHE misses in Rome - Part 2 of a series

 1. The Spanish artist Borondo's artwork where one least expects it - in an abandoned store window.

(We featured another one of his works - now painted over - here.)    

2. Threatening  political posters ("Liberate us from the 'liberators'") 

We explained this poster in an earlier post.  No al TTIP refers to the Transatlantic Trade and Investment Partnership, a proposed trade agreement between the EU and the United States that was finally killed off in 2019. The anti-TTIP folks were concerned that the nation states of Europe would have been victimized by transnational corporations--especially, according to the poster's graphic, American companies. Nice "Uncle Sam" look!

3. Creative use of bread (this restaurant is in Ariccia)

4. The mystery of what's being protected with orange plastic fencing

Dianne

The Mausoleum of Augustus--You CAN go there, if you can get a ticket

 

What Emperor Augustus's tomb looked like in ancient Rome (image by 3D Warehouse).

Larry Litman at entrance to the Mausoleum

 of Augustus (there's probably a 

smile under that mask).

     One of the astonishing openings in Rome—as Covid continues to haunt the globe—is the Mausoleum of Augustus in Rome’s Piazza Augusto Imperatore. Since World War II, this ancient Roman site--the largest circular tomb of the Roman world, as noted below--has sat, neglected, overrun with weeds, and closed to the public. After fits and starts for the past decade-plus, the Mausoleum was opened to visitors just this Spring (Covid be damned). Our Roman friend and guest blogger, Larry Litman, managed to snag a now-sold-out ticket. Below is his rare first-person account of a visit to this important piece of history (from tomb for Augustus to music hall to proposed tomb for Mussolini – you get the picture).

   Larry Litman wrote eloquently in March 2020 about being in Rome under one of the first lockdowns, and, since we still couldn’t be in Rome for the Christmas holidays, he gave a virtual tour on this blog of the unusual presepi or crèches in Piazza San Pietro (St. Peter’s Square).

    Larry grew up in Southern California (unknowingly, we recently visited his old neighborhood) and lived in Hoboken, New Jersey, before moving to Rome in 2007. In the early 1970s he studied at Loyola University of Chicago's Rome Center, now the John Felice Rome Center on Monte Mario. "That was when I fell in love with the city of Rome," Larry writes, "and then I had the dream of making Rome my home."

 Larry is a retired teacher/librarian from Ambrit International School and is active at St. Paul's Within the Walls (the Episcopal Church on via Nazionale).  He also volunteers at the Non-Catholic Cemetery. He has two adult children and two grandchildren living in New York City.​

 

As one enters the Mausoleum, one can see evidence of many
different construction and rehabilitation efforts
over the centuries, typical of Rome.

The Mausoleum of Augustus (Il Mausoleo di Augusto), constructed in 28 BC, was closed to the public after World War II. In March of this year it was officially reopened to the public after five years of restoration work significantly funded by TIM, the Italian telecommunications company. However, the monument’s opening was cut short by Covid restrictions which closed Italy’s museums and archeological sites. In May the Mausoleum opened again for guided groups of ten visitors at a time. Online reservations were filled almost immediately. We were fortunate to obtain reservations to visit the site on a rainy Wednesday morning at 9:00 a.m.

Our group was met at the entrance by a knowledgeable archeologist who shared the features and history of this monument, the largest circular tomb of the Roman world. After descending a ramp to several meters below the modern street level we stood before the entrance to the tomb. Originally this entry was flanked by two obelisks that now stand in front of the Quirinale Palace and in the Piazza del’Esquilino behind the Basilica of Santa Maria Maggiore [the prior post on this blog; obelisk photos below]. 

Our guide points out inscriptions praising Emperor Augustus, inside the tomb.

The Mausoleum had a diameter of 87 meters (almost 300 feet) and a height of around 42 meters (about 140 feet). At the center of the mausoleum were a series of chambers which until 217 AD held the urns of the Julio-Claudio emperors (except Nero) and their families. The innermost chamber held the remains of the Emperor Augustus, and the surrounding chambers held the urns with the ashes of the others.

This future performance space is visible looking out from the
upper level to the center of the Mausoleum.

 

 

 

Many monuments in Rome have been used over the centuries for numerous purposes other than the ones they were built for. The Mausoleum of Augustus is no exception. Our archeologist shared some of these as she led us through the various levels and chambers of the site.

-       In the 12th century the Mausoleum became a fortified castle of the Colonna family.

-       In 1241 Pope Gregory IX expelled the Colonna family and destroyed their castle. Urban gardens started growing on the abandoned Mausoleum.

-       During the 16th - 18th centuries there were hanging gardens with a collection of Roman antiquities displayed inside the Mausoleum, then an arena for bullfights, and eventually a stage for plays and circus performances.

-       Between the years 1907 - 1936 the inner part of the structure was converted into a concert hall holding about 3,500 people, with performances by the National Academy of Santa Cecilia.

-       On May 13, 1936, Mussolini ended the concerts and initiated a plan to turn the Mausoleum of Augustus into a tomb for himself. World War II put an end to those plans.

 

The Mausoleum as seen from the street (weeds mostly cleared away).                  

    

The Mausoleum of Augustus then was abandoned until 2007 when studies began to restore and repurpose the ancient site. Today, even as it has been opened to the public, work continues on the Mausoleum’s restoration. A museum, as well as a performance stage, is being developed within the monument. The surrounding area is also being developed as a pedestrian piazza with stairs and ramps to the street level. The Mausoleum of Augustus is now becoming a part of urban life in contemporary Rome, one of the many places in this great city where the past meets the present.

Upward looking views here and below, left.

 Note: The installation of an elevator has not been completed. To tour the Mausoleum a visitor must climb multiple levels of steps.

Larry Litman

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A few items of note: More photos follow here and at the end of this post.

The official website, which includes, in English, "Book Here,"  is here: https://www.mausoleodiaugusto.it/en/booking/

For now the tickets are sold out through June 30. The last two times they were available, they sold out in 24 hours each time. We are not certain when they will next be made available.

The Mausoleum is in the same piazza as the Ara Pacis, which is one of the most visited sites in Rome (pre-Covid, anyway). And Bulgari is planning a 5-star hotel in the piazza, in a large, interesting (to us) Fascist-era building facing the Mausoleum. Note this piazza was one of RST's "Top 40," even with the Mausoleum in disuse and disrepair; we called it "Rome's most abused piazza."

The two displaced obelisks are pictured below in their current locations. We (RST) had no idea they once graced the Mausoleum. The first is the obelisk at the Quirinale, and the second at Piazza del'Esquilino, in back of the Basilica of Santa Maria Maggiore.

Dianne