Intriguing Independent Book Stores - those that remain - in Rome

English-language book stores (or bookshops, as the English call them) in Rome have dwindled over the years (along with map stores, to our chagrin) - I have an RIP at the end of this post for a couple of them.

Marcello at the desk of Anglo-American Bookshop, with his favorite book
(just kidding)

We unfortunately see the same trend in the US, as reading of books in print declines and screens and earphones take over. Yet, there are 2 older stalwarts in the independent book store market that remain in Rome, plus an upstart. These three are all appealing options for those looking for English-language books. We have personal ties of sorts to all of them (and they all carry Rome the Second Time and Modern Rome).

The most Italian of these is Anglo-American Bookshop at via della Vite 102, founded in 1953, when, as it says on its site, "This choice was very courageous as the English language was not yet considered a recognized language worldwide for any type of exchange (economic, cultural, tourist etc.)." Hmmm.  [The "Story" is still only in Italian on the site, but you can click your 'translate' button to get it in English.] 

We've always appreciated Anglo-American because our Italian friends shop for their English language books there, and because they sell more of our books than anyone else (except, unfortunately, Amazon). They are still ordering Rome the Second Time 10 years after its publication. Marcello, who manages the shop, is friendly and helpful. The location is ideal, very near the Spanish Steps. The shop is large, with lots of sections, magazines, and book paraphernalia.









The most American/English of the three is Almost Corner Bookshop in Trastevere at via del Moro 45. Owned for many years by Dermot O'Connell, who moved from Saudi Arabia in the 2000s to buy it (from the founder, who opened it in 1991), the bookshop recently was sold. It's tiny and chock full of books. You'll find Scottish patriot Anita Ross at the desk, as she has been for years; she's very knowledgeable and helpful.

Translator Frederika Randall and author Giacomo Sartori,
of "I Am God" at Almost Corner Bookshop.

We also like Almost Corner because of the events there, many involving our friends. Frederika Randall brought in now-Paris-based Italian author Giacomo Sartori, whose fascinating 2016 novel "I Am God" she translated and sheparded to US publication (named one of the NYT's best books in translation a year or so ago - look for a review in this space soon). 

And we had a terrific free trip to the nearby hilltown of Montecelio and its surprisingly excellent Archaeological Museum "Rodolfo Lanciani" (Museo Civico Archeologico "Rodolfo Lanciani") where Notre Dame (in Rome) Professor Ingrid Rowland gave a reading from her extensive scholarship on Italy (our favorite of hers, her book on Giordano Bruno). 

Ingrid Rowland being introduced at the Montecelio Archeological
Museum in an outing sponsored by Almost Corner Bookshop.

That day as I recall she read from her Pompeii book and talked about the mystic German monk, Athanasius Kircher, who ended up in the monastery, Santuario della Mentorella, well behind Tivoli (near Guadagnolo), which we hiked up to and almost killed ourselves hiking down from (it's on a precipice; we took the wrong path - and I hadn't read yet the part about Kircher's heart being burned in the church on his death - maybe that should've been an omen). Photos of our near-death trip and the sanctuary are at the end of this post.

In Montecelio's excellent Museo Civico Archeologico
"Rodolfo Lanciani."

The author readings and trip were all courtesy of Almost Corner. Again, great book store location, helpful and friendly staff. There's a nice story on prior owner Dermot O'Connell here: https://books.substack.com/p/notebook-bookselling-at-the-crossroads

The appealing entrance to Otherwise
Bookshop near Piazza Navona.

And then the upstart. To open an independent bookstore in these trying times is indeed courageous.  Otherwise Bookshop is just off Piazza Navona, in fact practically on Piazza Pasquino on via del Governo Vecchio.


Otherwise is across the street from its Italian counterpart, Altroquando, which has a pub and reading area in its basement. It was at that pub that we gave a talk on our approach to Rome - talk about the need for courage! - to Romans. Otherwise has a full schedule of events, including book clubs, poetry slams, and music.

Audience for our talk on our "second time" take on Rome at
Otherwise Bookshop's pub below its sister bookshop, Altrove.

Just before our talk at Otherwise began.

I also originally cited Feltrinelli International, which WAS an adequate bookshop selling books in languages other than Italian near Piazza della Repubblica - part of that immense publishing house and chain and soulless compared to these other three. Just before this post went live, Feltrinelli announced it was closing several stores, among them this international bookshop.

So the RIPs besides Feltrinelli International?  Among them, The Lion Bookshop, the grand dame of English-language bookshops in Rome, which simply closed one day in 2011. And, the Trastevere Open Door Bookshop which exists, but has turned into only a used-book store.

Dianne

The rock-perched Santuario della Mentorella where
the philosophical monk Kircher hung out.

Taking the wrong path (the view down was precipitous). Note the path is marked (lower right) and there's a cable to hold onto, upper right--suggesting the steepness of the hill.  

RST Top 40. #24: Rome's Signature and Europe's Largest Mosque

With some trepidation (but no doubt about its merits), we offer the Rome mosque, the largest mosque in Europe, as #24 in Rome the Second Time's Top 40. It's a magnificent structure, with some interesting controversy in its planning (why wouldn't there be, with an enormous Muslim landmark in the center of Catholicism's spiritual and administrative and, in every other way, home?).

I loved it instantly. I think Bill took some warming, including some high praise by Ingrid Rowland in a New York Review of Books article on Tiepolo where she devotes substantial coverage to the mosque's architect, Paolo Portoghesi (Bill wrote about this in his January 2 blog - here's the link to it: http://romethesecondtime.blogspot.com/2010/01/italy-on-surface.html).

Rather than repeat everything I said last June, I'll supply the link to the June 27, 2009 post below, and add a few new comments.

While our primary interest in the mosque is architectural, the religious issues are intriguing as well. One author claims the gorgeous, massive mosque is deserted, abandoned for other, smaller, more active mosques (http://www.islamonline.net/servlet/Satellite?c=Article_C&pagename=Zone-English-News/NWELayout&cid=1228244896427). But another argues that the imam at the main Rome mosque is preaching jihad (http://chiesa.espresso.repubblica.it/articolo/6953?eng=y). Both articles are linked here. You be the judge.

In any event, a visit is definitely in our Top 40. Just remember visiting hours for non-Muslims are limited - Wednesday and Saturday 9-11:30; women MUST wear head coverings. And, Fridays are the most active days, including the market outside the mosque gates - for everyone.

Here's the link to the earlier post: http://romethesecondtime.blogspot.com/2009/06/europes-largest-mosque-in-rome.html, which includes directions at the end and many more photos.

The trepidation I mentioned at the beginning derives from the traffic our blog gets from surfers who seem highly interested in "mosque", but not so much in Rome. We're not exactly anxious to set them off again! But we can't fail to put this wonderful 20th-century architectural statement in Rome the Second Time's Top 40.

Dianne

Italy, on the Surface

Ingrid Rowland's December 17 review of The Hand of Palladio in the New York Review of Books is as much about the book's author, architect Paolo Portoghesi, as it is about Palladio. We were intrigued by the focus, having written on this blogsite about Portoghesi's Roman mosque (designed 1975; see our June 17 post) and having admired his lobby for Rome's Hotel de la Minerve (above). Rowland labels these works "dream visions," then moves on to this remarkable paragraph:

"These works have a terrible poignancy now, reminders as they are of the optimistic Italy that pulled itself from postwar destitution by sheer force of imagination--Fellini was in many ways a maker of documentaries, not fantasies--and unrelenting work. The mosque of Rome, despite its modern materials, still revels in craftsmanship, as can be seen from the specially cast prefabricated columns, the intricate mosaics, the chandeliers and fountains. That same loving care of surface shines forth in every aspect of Italian life: in Fellini, Raphael, Titian, Vivaldi; in Marcello Mastroianni's swagger, Sophia Loren's vitality, La Dolce Vita--but then it was another Italian, the Roman sage Vitruvius, who declared that perfection can be achieved only by following through on every detail of ornament. Decoration in Italy is always more than superficial embellishment; it is the essence of true civility."

Reading this passage, we were reminded of the Italian insistence on la bella figura and, more concretely, of the pristine white tops favored by many Italian women, in seeming defiance of gurgling babies and life's inevitable spills; of the care with which Italians wrap anything and everything, from a piece of fish to a bottle of wine; of those lovely notebooks, with their silver corners and Florentine covers; of the glittering surfaces of any coffee bar, toweled clean and shined at the barrista's every opportunity; and even of Berlusconi, the politican as spectacle and surface, uninterested in the hard work and compromise that genuine political leadership requires.

We were reminded of Italian postwar leadership in fashion and modern design, fields that are all about wrapping people and things in cloth and plastic and metal, all about surface. The examples are many, but they surely include Marcello Nizzoli's 1950 Lettera 22 typewriter and Corradino D'Ascanio's 1955 Vespa. The Piergiorgio Branzi 1960 photo at left
is all about surface: not only the shell of the Vespa, but the self-consciously casual pose of the man in the foreground, observing even more surface: the filming of a story about ancient Rome, made on the steps of one of Rome's modern art museums.

Rowland made us think, too, of the playful creations of Ettore Sottsass, in whose hands household objects were transformed from useful things into games and sculptures. At right, Sottsass' Carlton Bookcase (1981). Consistent with Rowland's overview and chronology, the utopian Radical Design movement with which Sottsass was affiliated was launched in the 1960s and was in decline by 1980, as the ebulient optimism that sustained it was gradually undermined.

But we remain less than fully convinced of the truth of Rowland's compelling claim. To illustrate our lingering doubts, we offer these comments on La Dolce Vita, Fellini's 1960 masterpiece.
It is undeniably about the superficiality of postwar Italian bourgeoisie culture. But our observer of that culture, Mastroianni's Marcello, while attracted to the surfaces he finds, is also disturbed, alienated, and bored. Surfaces beguile, but they are not enough--and are hardly, in Vetruvius' words, "the essence of true civility."

Bill