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Showing posts with label Edda Mussolini. Show all posts
Showing posts with label Edda Mussolini. Show all posts

Wednesday, February 1, 2017

Lessons for Our Times from Mussolini's Son-in-Law, Galeazzo Ciano



The diaries of Benito Mussolini's son-in-law, Count Galeazzo Ciano are, indeed, remarkable, as Bill posted after he read them 7 years ago.

They are worth revisiting at this time and, in fact, a new edition is due out in March.  Although we generally avoid politics in this blog, the parallels with Trump are glaringly obvious.  And the parallels extend to the relationship.  This is a cautionary tale for another son-in-law, Jared Kushner.

Ciano went from an art and drama critic who was critical of Fascism to Il Duce's foreign minister, which seems like a stretch.  The diaries don't clue us in to his "conversion," but start only after Ciano has married Mussolini's daughter, Edda, converted to Fascism whole-heartedly, and become, at age 33, the Italian government's Minister for Foreign Affairs.

Covering 1939-1943, these are diaries of a government official, perhaps the closest advisor to Mussolini in these years when Italy went to war against the Allies as part of the Axis with, primarily, Germany and with Japan.

Ciano's almost daily observations show us how a charismatic leader whose ego is his defining motivation can lead into war an apparently unwilling nation, whose people he often despises and castigates.  In the end, Ciano decides, it's Mussolini's ego, in reaction to foreign press reports, that drives him into the arms of Hitler.  Mussolini is a man of leadership skills and talent, according to Ciano, but he listens to those who prop up his views, berates the press and the Church, and cares mainly about his own prestige.

As Minister for Foreign Affairs for 7 years, Ciano had an intimate view of Il Duce, and he wrote regularly about the Italian Fascist leader's views and moods.

As the diary begins, the Italians clearly have their own design on empire.  They see Albania, for example, simply as one of their provinces, and when they take it, international reaction is almost nonexistent, Ciano notes - "the inertia of democracies."  Both men want a new "Roman Mediterranean Empire," but both hope to achieve it without war.

The Italian people don't want a pact with Germany, a country with whom they share few values, but it is Il Duce, not the majority of the people, who decides, says Ciano early on in his diary.

While Mussolini seems to agree with Ciano in 1939 that war is not desirable, the Duce "says that honor compels him to march with Germany.  Finally he states that he wants his part of the booty in Croatia and Dalmatia."  So it's ego and loot that's important here.

While Ciano sees himself as trying to speak truth to power with Mussolini, he laments "I have been completely abandoned by the large group of men who are concerned with telling the Duce only those things that please him.  To tell the truth is the least of their cares."

Ciano also views the Duce as focusing his attention "mostly on matters of form; there is hell to pay...if an officer doesn't know how to lift his legs in the Roman step....Does he fear the truth so much that he is unwilling to listen?"

In late 1939, Mussolini becomes "more and more restless.  He feels that he is out of this great struggle and in one way or another he would like to find a way to fit into it....He was quite pleased with an English article which said that the Italian people might fight at the side of Germany for reasons of honor.  This is also his point of view, and even when there are a thousand voices to the contrary, a single anonymous voice saying that he is right is sufficient, and he will cling to it and overlook, indeed deny, the others."

What concerns Mussolini most, as Ciano quotes him, is this:  "It is not possible that of all people I should become the laughingstock of Europe.  I have to stand for one humiliation after another."

Mussolini becomes more fascinated with Hitler as Hitler achieves military successes.  And that success, writes Ciano, "has had a favorable echo among the Italian people who, as Mussolini says, 'is a whore who prefers the winning mate.'"

Mussolini is also a believer in his own charisma:  He has written Hitler, "The feeling of the Italian people is unanimously against the Allies."  Ciano responds, "Where does he get this information? Is he really sure of what he writes, or is it not true that, conscious of his personal influence, he is thinking of the opportune moment for modifying the national mood at his whim."

Ciano argues against war because he distrusts the Germans, thinking they are playing the Italians, and he knows the Italians do not have the armaments and training for this war, though the sycophants around Mussolini tell him otherwise - "the clownish politicians, who have become exaggeratedly pro-German."

Ciano cannot stop Mussolini at this point:  "it is not that he wants to obtain this or that; what he wants is war, and, even if he were to obtain by peaceful means double what he claims, he would refuse." On May 29, 1940, Ciano notes, "Rarely have I seen Mussolini so happy.  He has realized his dream: that of becoming the military leader of the country at war."  Ciano adds:  "I am sad, very sad.  The adventure begins.  May God help Italy!"

When France capitulates quickly, Ciano finds "Mussolini dissatisfied.  This sudden peace disquiets him. ...The war has been won by Hitler without any active military participation on the part of Italy, and it is Hitler who will have the last word. This, naturally, disturbs and saddens him."

Mussolini becomes more and more concerned with how Hitler views him, And the Duce thinks a long war might restore Italy's lost prestige.  "Oh, his eternal illusions...," writes Ciano.

As the war becomes a series of losses for Italy - in Egypt, Libya, Greece, and elsewhere - "News from all sectors is bad."  Ciano, along with the entire cabinet, is relieved of his post on February 5, 1943, and he is made Ambassador to the Holy See, an unimportant position.  Mussolini reassures him, "Your future is in my hands, and therefore you need not worry," Ciano quotes Mussolini.  "He has invited me to see him frequently....I like Mussolini, like him very much, and what I shall miss most will be my contact with him."

The diary then goes silent for almost 10 months, until December 23, 1943, its final entry.  Ciano is now writing from his prison cell in Verona.  He reiterates that he opposed the pact with Germany, but received unequivocal orders for that alliance.  It was, says Ciano, a decision "that has had such a sinister influence upon the future of the Italian people."  That decision to join with Germany in provoking and promoting war, he says, in hindsight, was "due entirely to the spiteful reaction of a dictator to the irresponsible and valueless utterances of foreign journalists."  Italy was treated by Germany "never like partners, but always as slaves....Only the base cowardice of Mussolini could, without reaction, tolerate this and pretend not to see it."

Ciano has concluded that Mussolini read reports in foreign papers that he was subservient to Hitler and to counter them, and to protect his prestige, he had to join the Axis.

The last words of the diary are these:  "I believe that an honest testimonial of the truth in this sad world may still be useful in bringing relief to the innocent and striking at those who are responsible." Galeazzo Ciano  December 23, 1943, Cell 27 of the Verona Jail."

Ciano, who took part in the ousting of Mussolini on July 25, 1943, was executed, on Mussolini's orders it appears, on January 11, 1944.  His wife, Edda, Mussolini's daughter, disguised herself and smuggled the diary out of Italy.

Dianne
PS - Although Bill read the diary 7 years ago, I read it just this year.  I believe there are reasons it continues to be reprinted from time to time, and, as I indicated at the top, right now.

Thursday, July 29, 2010

10 things to do within 200 meters of Stazione Termini

For most tourists, and most Romans, the area around Stazione Termini--that is, Termini, the city's main train station--means bad hotels, swarthy immigrants, pizza and trinkets, and phone centers for calling home. True enough, and we don't recommend the bad hotels. But there's more to Termini than the stereotype, and to prove it we offer our lists of 10 things to do within 200 meters of Stazione Termini.

Our 200-meter perimeter creates an race-track shaped oval that reaches out from the front edge of the station building toward the Baths of Diocletian (but does not include them) and around the sides of the building, two blocks on either side of the long station building, then curves around the back. Because the station is long, the oval is enormous, and we have tried our best to focus on attractions near the front of the station. So if you're changing trains in Rome and have a couple of hours....

1. The Station Itself . It's actually a complex structure, completed in two phases. The first phase dates to 1935-1940 (late Fascism), and consists of the area where the trains arrive and depart--up to but not including the enormous open hall--and the side areas. Facing the station 0n the left (west) side one can admire the enormous exterior arches; and on the right (east) side, inside, enormous interior arches that speak to the Fascist delight in architecture that at once intimidates and inspires (the light poles, while compelling, are of 1999 vintage).
In phase 2, The Saarinen-like front of the station, including the covered but open great hall, was designed by a team of architects and built between 1948 and 1951. Amerigo Tot decorated the modernist frieze cut in the metal across the station's front (1951). The lovely, enclosed space in the front of the station (see left, c. 1960) was unfortunately filled with shops, including a bookstore, as part of the preparations for the 2000 Jubilee.

2. The Servian Wall. The earliest wall we see around Rome is from the 4th century BC, and the biggest stretch of it is here, in front of the station, to the right, as one exits onto Piazza dei Cinquecento.
We (who don't go there) hear there's a small piece of it inside the station's McDonald's.

3. Piazza Independenza North of the train station (following the line of the Servian Wall, above), and one block to the right at the wide street out front, is Piazza di Independenza. One attraction here, precisely 200 meters from the station, is the charming bar/caffe in the center, amid the buses yet sheltered, called Casina delle Terme (little house of the baths, referring to the Baths of Diocletian). The main building with its curved corners dates from 1939, and a browntone photo on the napkin holder shows the enterprise as it was in 1950. So there's age and history to be savored. The food is fine and tourists are few; we recommend it for lunch.
At the far, northeastern edge of the piazza, and perhaps a tad out of our range, is a palazzo of Fascist-era origins, well known among Romans for the heads that grace its facade. It's widely claimed that the face is that of Mussolini--and whose else would it be?--but to us the likeness is questionable.

4. Casa Del Passaggero. Retrace your steps out of the piazza, walking southwest along the busy street that fronts the train station. After crossing several streets, at the corner of via Viminale and via Terme di Diocliziano you'll find a grey building with a descending double staircase, its gates now chained, all in an advanced state of disrepair.
These are baths, and they were built within the ancient baths of the emperor Diocletian, but their origin is relatively recent: 1920, when they were conceived as a "daytime hotel"--a sort of bath/spa known as the Casa del Passaggero (traveler's house). Despite the decay, there are reminders here of what once was, especially four lovely bas reliefs in metal, by Oriolo Frezzotti.

5. Museo Nazionale Romano. Just kitty-corner from the baths, at Largo di Villa Peretti, 1, in the direction of the station, is one of Rome's outstanding museums. The Museo Nazionale Romano is housed in the 19th-century Palazzo Massimo alle Terme. The museum houses a great many fine pieces from ancient Greece and Rome, including two great bronzes: Pugile (The Boxer) and the Principe Ellenistico (the Hellenistic Prince). The museum is open every day except Mondays and some holidays, 9-19:45 (Euro7).

Five more coming soon.
Bill

Wednesday, January 20, 2010

Galeazzo Ciano's Remarkable Diaries



Galeazzo Ciano was Mussoini's son-in-law and Italian Foreign Minister from 1936 to 1943. He was executed in January, 1944. Ciano left us with his diaries, which he maintained from 1936 through 1943 (entries for 1938 and later are available in paperback: Simon Publications, 2001).


The diaries are a thoughtful, judicious commentary on Ciano's contacts with many of the protagonists of World War II, including Hitler, von Ribbentrop, Himmler and, of course, Mussolini, with whom he worked on a daily basis--the Duce at Palazzo Venezia, Ciano at Palazzo Chigi. The photo above, taken before the signing of the 1938 Munich Agreement, has Ciano at far right and, to his right, Mussolini and Hitler. Neville Chamberlain, the architect of what became known as "appeasement," is at left.

This isn't a "tabloid" diary--for example, Ciano's wife--Mussolini's daughter--seldom appears, and Ciano is appropriately consumed by the major developments of the day, including the war in Africa, the invasion of Greece, and developments on the Eastern front. But there are many revelations and observations of a personal nature, some of which I offer here.

March 10, 1939
"The Duce commented, 'The German people are a military people, not a warrior people. Give to the Germans a great deal of sausage, butter, beer, and a cheap car, and they will never want to have their stomachs pierced.'"

March 3, 1940
"I speak with the Duce about the eventual exportation of works of art. He is favorable, but I am not. He does not like works of art, and above all detests that period of history during which the greatest masterpieces were produced. I recall--he recalls it too--that he felt a sense of annoyance and physical fatigue unusual in him on the day he was obliged to accompany Hitler on a detailed visit of inspection to the Pitti Palace and to the Uffizi. "


May 28, 1941
"Mussolini inveighs against Roosevelt, saying that 'never in the course of history has a nation been guided by a paralytic. There have been bald kings, fat kings, handsome and even stupid kings, but never kings who, in order to go to the bathroom and the dinner table, had to be supported by other men.' I don't know whether that is historically exact...."


October 11, 1941
"The Italians, too, are pulling in their belts to the last hole: the one that the Italians call the 'foro Mussolini'--'the Mussolini hole.' [The Italian word foro means both forum and notch, or hole....]."


May 8, 1942
"Vidussoni [general secretary of the Fascist Party] wanted to close the golf courses. I questioned him, and he, who is very simple-minded and is never able to find a way out, answered candidly that he intended to do this because 'golf is an aristocractic sport'....I consider it a great mistake because nothing is gained and one does not even earn the gratitude of the masses, which are inconsistent and changeable as the sands."



August 2, 1942
"Edda [Ciano's wife] attacked me violently, accusing me of hating the Germans, saying that my hatred for the Germans is known everywhere, especially among the Germans themselves, who are saying that 'they are physically repulsive to me.'" That's Galeazzo and Edda, below.







August 7, 1942
"I spoke with Vidussoni [see above]....He said that he did not know who De Chirico was, because for two years he had been too occupied for read modern writers.'"

August 28, 1942
[After a visit to the Venice Biennale]: "....the Spanish pavilion is the best. We had two painters who are important: De Chirico and Sciltian." A Sciltian painting from the 1930s is at left.







October 16, 1942
From the Duce's entourage we learn that he may not be in a condition to receive [Reichsmarsal Hermann] Goering on Monday. In any event, he will have to receive him at home, and the Duce is somewhat embarrassed on account of the modesty of his living quarters [Villa Torlonia]."
Mussolini's home at Villa Torlonia is below right.


December 7, 1942
[Ciano speaks with the King of Italy, who recalls the advice of his grandfather, King Victor Emmanuel II]: "In speaking with people, one must say two things in order to be assured of a good reception, 'How beautiful your city is!' and 'How young you look!'"



December 19, 1942
"I believe that at heart Hitler is happy at being Hitler, since this permits him to talk all the time."

January 4, 1943
"The personal indifference of the Duce to personal possessions is moving. At home he owns only one good piece: a self-portrait by Mancini, which was a gift from the painter."

Bill