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Showing posts with label Carlos Atoche. Show all posts
Showing posts with label Carlos Atoche. Show all posts

Wednesday, June 3, 2020

Rome's Urban Countryside: a Walk from Pigneto to Centocelle

Rome's more open today than it was just a few weeks ago, so it may be possible to actually walk the walk that we took about a year ago.  If not, maybe in the fall. [This post was first published in April, but we took it down after a few days as events compelled us to write about "Liberation Day" and then the loss of Frederika Randall. We bring it back for the rest of its 10-day or so 'run.']

Rome isn't a mega-city (pop. about 2,800,000), and it sprawls.  One result is that there are surprising swaths of countryside remarkably close to the urban core--and even within it.  One minute you're on an urban thoroughfare, busy with commerce and residences; turn the corner and you're walking on what feels--and is, in some respects--a country road. Then, further on, more urban Rome, in the shape of a phalanx of modern apartment buildings.

We found an example of "country Rome" on a walk from Pigneto, a dense, hip, immigrant neighborhood on the northeast of the urban core, to Centocelle, a suburb further to the east.  We'll pick up our walk on via Acqua Bullicante, a north/south street packed with shops. Imagine you're walking straight south, about halfway between via Prenestina (to the north) and via Casilina (to the south).

On the left side of the street, facing an Esso gas station, note the mural by Atoche (above), a prominent area street artist, whose studio is in Pigneto.  Then, not far ahead, the Supermercato Il Castoro, with a country remnant--an Olive tree--in the front courtyard.


Immediately beyond the supermarket, turn left on via Forma--our "country road."  For the next mile or so, you'll have to be careful as you walk. There's a good deal of traffic, and--typical of the countryside--NO SIDEWALKS.

 Right away, some interesting buildings, including one with some neo-medieval touches.

It seems likely that via Forma once traversed small farms and orchards. A few still survive, now joined by small industrial/commercial sites.

After about a half mile on via Forma, turn right at the "T"--onto via Cori. A few hundred yards ahead, in Piazza Sessa Aurunea, note the Carpe Diem Bar (on your right) and a functioning crossroads nasone, if you haven't brought water.


Turn left (east) just before the fountain, onto via Labico.  More country road. Again, no sidewalks for about a half mile. Lots of traffic. Note an abandoned sculpture park in the weeds on the right.


On the left, a ways down, an old factory with a rusted green gate.





Bill took one of his "found art" photos here (which he later printed at 17 X 22 inches--looks great!)


Continue on until the road forks and there's a huge apartment complex ahead.



The "country" part of the walk is over.  We like exploring the architecture of such apartment complexes, and we went into this one through a nearby gate, coming out the other side on a road.

Make your way to the NEXT street, to the east, via Francesco Ferraironi, and turn right (south).  Follow this street until it curves right onto via Oberdan Petrini. You've got one more block to viale della Primavera.  From that street, head straight east, working your way through the 'hood, to the main drag of Centocelle (which in 2010, Bill called Rome's New Rochelle): via dei Castani (below).


 Then just a bit south to the large piazza that houses the church of San Felice da Cantalice.


On that same piazza, across the street from the church, there's a bar/cafe with outdoor space.  If you're inclined--and the place is open--have a coffee or a glass of wine and contemplate your journey through the Roman countryside.


Just a couple of blocks to the west and a bit south, you'll find the via Casilina tram. If you don't mind being on public transport, it should be operating, as of this writing, at 50% capacity and you must wear a mask. The tram will take you back to Pigneto.

Bill




Tuesday, July 2, 2019

Tracking down a muralist in Rome - Carlos Atoche plays with decay and regeneration.

It's not often one finds murales or wall art, right outside one's door - even better, viewed from one's apartment.  But here we are in Pigneto (a now rather hip, but still working-class neighborhood of Rome) looking from our balcony at a fine work using images of ancient Roman statues, and placing them under water. I also like the fish floating just above the "Carrozzeria - auto e moto" sign (car and scooter repair, down the block).
We're one of those balconies on the left. Our view of the murales
is really only of the left side, as seen in the top photo.
Always eager to explore our immediate surroundings, we tracked down the painter of the mural, which is on one of the very old buildings that are now dwarfed by housing blocks. We thought we had seen this theme of Roman statues, under water, around Rome and, indeed, we had.

A small plaque at right indicates that Atoche did this mural in 2016 as part of a project by a group of tour guides to raise
money for earthquake victims.




We saw a plaque naming Carlos Atoche as the author of work above, in Torpignattara, as we were giving ourselves a tour of murales - as they are called in Italian, using the Spanish word for "murals" - in that area.
"The Fall of the Gods," a 40 meter-long mural in Ostiense, which Atoche did in 2015 with Mexican muralist Luis Alberto Alvarez.

Explaining another of Atoche's works, this one in Ostiense (which we've seen many times, including when we lived there 2 years ago), StreetArtRoma - a superb App (the link is to the Web site, which is not as easy to maneuver as the app) - says "The fall of Gods, between busts of mythological giants and historical figures, is a symbolic representation of the decay of power; the glories of the past consumed by the passing of time. What remains is the unstoppable force of the universe, the energy of the oceans, the drive of life, the animals, the sky, the plants and the tides."  That's a bit high-falutin' as we might say, but not bad.

No doubt about the artist here. "atoche" appears at the top of this painting in
Portonaccio.


We like that Atoche tends to put his work on older, even abandoned buildings, perhaps emphasizing the theme of decay. At the same time, he's decorating the neighborhood - or is he gentrifying it? And is that good or bad? (I vote for "good.")

Not identified, but clearly Atoche.









StreetArtRoma also notes that Atoche is Roman by adoption, born in Lima in 1984 of an Argentinian mother and Peruvian father.















Atoche works out of this studio in Pigneto. 


Below, several other Atoche works, all in Pigneto.  Horses are among his favorite subjects. 




We're glad he's decided to enliven our environs. Here's his Web site. 
This is RST's 792nd post.  Use the search engine at far upper left to explore Rome and environs. 

Dianne