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Showing posts with label Abruzzo. Show all posts
Showing posts with label Abruzzo. Show all posts

Wednesday, December 18, 2024

The 125 Creches at the Vatican - an updated post on these Christmastime Jewels

 



RST is re-publishing our Rome friend Larry Litman's lovely 2020 post about the presepi (creches) in St. Peter's Square at Christmastime. We'll update it quickly to note this year's 125 creches are from all over Europe as well as from many foreign countries, including the US. The 2024 theme is "Hope does not disappoint," the title of the bull announcing the Jubilee year that begins within a week. Access to the creches is every day 10 a.m. - 7:30 p.m., except to 5:30 p.m. Christmas Eve and New Year's Eve (last entry 15 minutes before closing) through January 6 - no reservations nor fee. See more on this year's presepi, along with a Jubilee Year countdown clock on a Vatican Jubilee site here

From 2020: RST is delighted to offer another guest post by our Rome friend Larry Litman, who wrote eloquently in March about being in Rome under one of the first lockdowns. Since we can't be in Rome, we asked Larry for a holiday offering. Here he visits Piazza San Pietro before Christmas and discovers an unusual presepe or crèche (as we called them in our family) as well as a gorgeous display of another 100 presepi.

Larry lived in Hoboken, New Jersey, before moving to Rome in 2007.  In the early 1970s he studied at Loyola University of Chicago's Rome Center, now the John Felice Rome Center on Monte Mario. "That was when I fell in love with the city of Rome," Larry writes, "and then had the dream of making Rome my home."

Larry is a retired teacher librarian at AmBrit International School and is active at St. Paul's Within the Walls (the Episcopal Church on via Nazionale).  He also volunteers at the Non-Catholic Cemetery. He has two adult children and two grandchildren living in New York City.

Visiting Piazza San Pietro before Christmas

A Christmas tradition for many Romans (and tourists) is to visit St. Peter’s Square and view the tree and presepe (crèche). Each year a tree is donated to the Pope from a different country and the crèche each year is by different artists.

When I visited the square on December 15th, there weren’t even two dozen people there. It felt strange to be in a space that is normally teeming with tourists and pilgrims. I also went into St. Peter’s Basilica. There was no line to go through the security screening, and once inside it was also practically empty.


The presepe figures this year have brought a lot of criticism. The life size ceramic figures are from Castelli in the Abruzzo region and were created by students and teachers of the “F.A. Grue” Art Institute. The Nativity scene featured several life-sized ceramic statues in a contemporary art style that “has its roots in the traditional working of Castelli’s ceramics,” said a statement from the Vatican. “The cylindrical ceramic statues surrounding Joseph, Mary and baby Jesus included a bagpiper, a shepherdess holding a jug and even an astronaut, meant to reference the history of ancient art and scientific achievements in the world.” (Source: Catholic News Service-CNS)














A special feature for 2020 is a display of 100 presepi in the Bernini Colonnade. The scenes come from around the world and reflect many different style of recreating the Christmas Story with figurines.

Larry Litman

Below are 7 of the 100 presepi  - traditional, and not so traditional; you can pick your favorite. Photos by Larry Litman.








Friday, December 18, 2020

A Contemporary Nativity Scene at St. Peter's: Visiting Piazza San Pietro before Christmas




RST is delighted to offer another guest post by our Rome friend Larry Litman, who wrote eloquently in March about being in Rome under one of the first lockdowns. Since we can't be in Rome, we asked Larry for a holiday offering. Here he visits Piazza San Pietro before Christmas and discovers an unusual presepe or crèche (as we called them in our family) as well as a gorgeous display of another 100 presepi.

Larry lived in Hoboken, New Jersey, before moving to Rome in 2007.  In the early 1970s he studied at Loyola University of Chicago's Rome Center, now the John Felice Rome Center on Monte Mario. "That was when I fell in love with the city of Rome," Larry writes, "and then had the dream of making Rome my home."

Larry is a retired teacher librarian at AmBrit International School and is active at St. Paul's Within the Walls (the Episcopal Church on via Nazionale).  He also volunteers at the Non-Catholic Cemetery. He has two adult children and two grandchildren living in New York City.

Visiting Piazza San Pietro before Christmas

A Christmas tradition for many Romans (and tourists) is to visit St. Peter’s Square and view the tree and presepe (crèche). Each year a tree is donated to the Pope from a different country and the crèche each year is by different artists.

When I visited the square on December 15th, there weren’t even two dozen people there. It felt strange to be in a space that is normally teeming with tourists and pilgrims. I also went into St. Peter’s Basilica. There was no line to go through the security screening, and once inside it was also practically empty.


The presepe figures this year have brought a lot of criticism. The life size ceramic figures are from Castelli in the Abruzzo region and were created by students and teachers of the “F.A. Grue” Art Institute. The Nativity scene featured several life-sized ceramic statues in a contemporary art style that “has its roots in the traditional working of Castelli’s ceramics,” said a statement from the Vatican. “The cylindrical ceramic statues surrounding Joseph, Mary and baby Jesus included a bagpiper, a shepherdess holding a jug and even an astronaut, meant to reference the history of ancient art and scientific achievements in the world.” (Source: Catholic News Service-CNS)














A special feature for 2020 is a display of 100 presepi in the Bernini Colonnade. The scenes come from around the world and reflect many different style of recreating the Christmas Story with figurines.

Larry Litman

Below are 7 of the 100 presepi  - traditional, and not so traditional; you can pick your favorite. Photos by Larry Litman.









Saturday, August 15, 2020

City to Mountain Top, Life to Death: Signs of Summer in Rome

If Americans can't get there, at least we can have some dreams of Rome.  Below some photos from an earlier summer, exhibiting some of Rome's uniqueness - and markers of life and death


Here's life  - a bra ad - and death - notices of death pasted over them. In Castel Gandolfo (summer home of the Popes - and featured in the award-winning 2019 film, "The Two Popes"). "In forma smagliante"  is a sort of double entendre  here, trans. "In great shape" "In top form" "Fit as a fiddle" etc.


 Though from 2012, these graffiti faces at left remind us of our 2020 "mask-up" days.




On the "life" side (mostly), right - "Brigata Peroni" or "Peroni [as in the beer] Brigade."  One doesn't normally associate brigades, as in armed forces or the anarchical - and deadly (they killed Aldo Moro)- leftists, the "Red Brigade," with beer.






Left, a fully-stocked outdoor bar/cafe', complete with the requisite photo of iconic actor Alberto Sordi, in the iconic still of him eating spaghetti (from the film "Un Americano a Roma") - we've probably seen a hundred of these in restaurants and cafes and bars - and books!

Okay - we've posted photos of the nonsensical writings on shirts and jackets, but we think not this one, which does have the word "death" in it - seen in a Rome market. I just finished reading Bill Bryson's "The Mother Tongue: English and How It Got That Way" in which he quotes some of these.  None is better than this one at right.
Eating IN the streets of Trastevere. This could be a good model for restaurants in the US
trying to expand their outside service.  Not exactly social distancing.  And no
worries from those actually standing in the street that they could be run over.




For the death end, here are two photos from the top of a mountain an hour or two outside Rome in the Abruzzi (the Gran Sasso). Yes, the ubiquitous cross was there, but also Mary, complete with rosary, and several plaques to hikers who had gone on to other heights.

In the photo below, the plaque on the right says, "Friendship doesn't need time or space. We know you will always be at our side.  Ciao Nicola."

And in that same photo, the plaque on the left reads, "In memory of Ezio Noce. Your mountain friends affectionately remember you, in this place familiar to you."





Dianne

Tuesday, November 22, 2016

L'Aquila: A lesson in Italy's failure to rebuild after the 2009 earthquake.

Post-earthquake reconstruction?  Six years later, this is L'Aquila.
The most recent devastating earthquake in Italy hit in the Marche province on October 26, followed by aftershocks. An August 24 quake not far away killed almost 300 people. 
Prime Minister Matteo Renzi is promising complete restoration.  We are - sadly - skeptical.  As a poignant piece of evidence, we give you L'Aquila, where a 2009 earthquake in this large, historic center in the Abruzzo region that neighbors Marche, resulted in 309 deaths.

We had been in L'Aquila many years ago.  This classic medieval city, capital of the Abruzzo province, is less than 75 miles from Rome, but 75 miles that can seem like centuries, and that took several days to cover in Margaret Fuller's time.  The city sits at the foot of the Gran Sasso mountains we intended to (and did) climb; they reach over 10,000 feet, the highest Italian mountains south of the Alps.

Last year, 6 years after the quake, we decided to see what had been accomplished after the earthquake.  We had heard of the slowness of the rebuilding, mafia involvement, scandals, and the like.  But nothing prepared us for the ghost town L'Aquila still was - 6 years later.  The photo above of one street is, unfortunately, typical of most of the streets of L'Aquila. Buildings shored up, at best, but unreconstructed and uninhabitable.

A closer view of the cracking produced by the 2009 earthquake.

Here one can see efforts to protect the older, classic building windows and doors.
Again, this is the best the 'reconstruction' seems to offer.



Businesses stopped in their tracks.  And not re-opened, of course.  This was a
unisex hair salon.
We'll get back to the destruction.  But we must take a couple sentences to describe the highly unusual setting in which - without planning on our part - we found L'Aquila in May 2015: it was the annual national 3-day "raduno" or "adunata" - a gathering of the Italian Army's Alpini units - gatherings that attract several hundred thousand men and a few women.  And this year, in an attempt to bring life and attention to the devastated city, they were meeting in L'Aquila, even though there were only a handful of rooms available to them in the city itself.  Many took 1-2 hour long train rides into L'Aquila daily; others set up tents and slept in vans. 

The Alpini were formed as a northern mountain unit of the Italian army.  One finds Alpini almost everywhere in Italy these days.  They still are a significant branch of the army.  And, since my family is from the north (15 km south of the Swiss border), all the men belonged to the Alpini (see a photo of my great-grandfather below).  The Alpini would recognize L'Aquila, and its location in the Gran Sasso, as part of the mountain regions that Alpini love.
Our first shot of the Alpini, recognizable by a black feather in their caps
(officers get a white feather) was of them being tourists.  Here they are at L'Aquila's
famed 13th century "Fountain of the 99 Spouts" (Fontana delle 99 Cannelle)
The poster for the 2015 Adunata.  Note the emphasis on the mountains and the black feathers.
Here's how the Alpini managed their gathering in L'Aquila - they brought in their own pop-up restaurants and beer tents;
this one set up right next to the scaffolded building.


The Alpini gathered in St. Peter's Square at their 1929 adunata.
One of the empty L'Aquila buildings had a small exhibit of prior Alpini "adunate,"
which is where we found this, among many other photos and artifacts.
The Alpini here were singing a traditional song.  To the left is the hotel in
 which we stayed many years ago.  This is in a newer part of the city, 
where there was less devastation because of better building practices.
  The Gran Sasso can be seen in back.
Back to the destruction.  

The sign scrawled on this wall says "L'Aquila  will be arise (be reborn) from the Mafia."
It's not clear these buildings will be rebuilt.
The blocked-off streets are in the "red zone," where one cannot even walk.
This banner in the main square says:
"One finds a red zone everywhere and the issue is a national one."
Outside an obviously newer but poorly built "Students' House," photos
of some of the more than 100 "angels" who died there in the earthquake.
 Arrests followed the collapse of the building.
Housing built for displaced residents - but not near any work.  From the train,
we saw these on the outskirts of Paganica, about 15 km from L'Aquila.  
A view of L'Aquila from a distance.  The cranes are there, but where are the workers and the work?  Snow-capped (in May)
Gran Sasso in the distance.












Elizabeth Povoledo wrote about L'Aquila in the New York Times a few weeks ago. Remarkably, her photos don't look any different from ours of 2015.

There were a few signs of hope.


A bar on the central square, run by the Fratelli Nuria, was open. It was
 not simply an Alpini pop-up. Signs announced it as the first business
 to reopen after the quake. The family also made its own, excellent torrone  
(which we bought and ate). You can see a couple Alpini among the patrons.

This surprising restored house, with a woman watering her plants, was the lone
exception we saw.

Our hotel receptionist rode with us on the train from L'Aquila to Paganica where many people were housed (photo above).  She told us that 6 years later her house was not habitable but that she had to continue paying her mortgage, and continue living in Paganica, about 15 km away.   We wrote last December about a church, built into rock, in Paganica.

And below is Giovanni Mambretti, my Italian grandmother's father, standing at left, with his Alpini.



We hope to visit L'Aquila again, and that we will see significant progress the next time.  Should you wish to visit L'Aquila, our hotel was ideal.  It was in a newer building, below the city (you do have to walk up and down hills a lot in L'Aquila), and in 2015 it was fully open, including the excellent restaurant serving Abruzzi specialties.  It's the Hotel "99 Cannelle", because it's across the street from that famous fountain.

Dianne